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...some ways it was a fairly typical Nazi wartime plan - bold in concept, yet slyly sadistic in its execution. For to execute it, they recruited from their concentration camps (which we must remember contained many ordinary criminals among populations) their most skilled forgers - engravers, printers, experts in ink and paper - and set them to work in the Sachsenhausen camp...

Author: /time Magazine | Title: The Counterfeiters Lauds Real Human Will | 2/22/2008 | See Source »

...probably very few true race traitors in America—Kennedy himself admits that none come to mind—he fails to engage readers in the conversation of what his analysis really means for the black community. Throughout the book, his arguments fall flat because of his conception of Black America. If the requirement for citizenship in Black America is only a matter of choice—Kennedy asserts that people “ought to be permitted presumptively to enter and exit racial categories at their choosing, even if the choices made clash with conventional understandings of racial...

Author: By Laura A. Moore, CRIMSON STAFF WRITER | Title: Kennedy's 'Sellout' Sells Readers Short | 2/22/2008 | See Source »

...gaudy monument to the breakneck ascent of Chinese capitalism - 7 million sq. ft. (650,000 sq m) of leasable space, with wings designed to mimic Venice and the Champs Elysées. But, as Anthony J. Barbieri-Low notes in Artisans in Early Imperial China, the concept behind these new mainland megamalls (four of the globe's 10 biggest are in China) is quite old news. As in two millenniums...

Author: /time Magazine | Title: The Great Mall | 2/21/2008 | See Source »

...fascinating as the show is, the concept of speed ultimately loses momentum. Small wonder, perhaps, given that the two most important Italian art movements of the second half of the 20th century, Arte Povera and Transavanguardia, were the antithesis of all things speedy: the former championed the use of humble, often recycled materials while the latter marked a return to painting after it fell out of fashion during the postmodern art movements of the '60s and '70s. And surely it is no mere cultural accident that Italy's biggest recent contribution to the international Zeitgeist is Carlo Petrini's Slow...

Author: /time Magazine | Title: A Rush of Steel and Beauty | 2/21/2008 | See Source »

Dimitrios Pandermalis knows all about the idea of the universal museum. He doesn't think much of it. "A translation of the imperialism of the 19th century to the globalization of the 20th century" is what he calls the concept, and his view counts. Pandermalis is president of the organization behind the New Acropolis Museum in Athens, conceived as a standing rebuke to the British Museum's continued possession of the most passionately disputed cultural property of them all, the 5th century B.C. Elgin Marbles. Those are carvings taken from the Parthenon in the early 19th century at the direction...

Author: /time Magazine | Title: Who Owns History? | 2/21/2008 | See Source »

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