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...asymmetries that cause history to happen--an obscure Schickelgruber nearly destroys Europe; a mere atom, artfully diddled, incinerates a city. Elegant perplexity puts too much emphasis on the "asymmetrical" side of the phrase and not enough on the fact that it is, indeed, real warfare. Asymmetry is a concept. War is, as we see, blood and death...

Author: /time Magazine | Title: The Case for Rage and Retribution | 9/14/2001 | See Source »

...viewer from the source of understanding—the computers —was supplemented by a series of 52 poster-sized drawings, representing a deck of tarot cards, suggesting the infinite combinations of understanding that are possible with a shuffled deck. Tyson’s engagement with the concept of understanding managed to be both whimsical and thoughtful, a balance that is increasingly hard to find...

Author: By Christina B. Rosenberger, CRIMSON STAFF WRITER | Title: Burning Up: Art Sizzles at the Biennale | 9/14/2001 | See Source »

...asymmetries that cause history to happen?an obscure Schickelgruber nearly destroys Europe; a mere atom, artfully diddled, incinerates a city. Elegant perplexity puts too much emphasis on the ?asymmetrical? side of the phrase and not enough on the fact that it is, indeed, real warfare. Asymmetry is a concept. War is, as we see, blood and death...

Author: /time Magazine | Title: The Case for Rage and Retribution | 9/12/2001 | See Source »

...asymmetries that cause history to happen - an obscure Schickelgruber nearly destroys Europe; a mere atom, artfully diddled, incinerates a city. Elegant perplexity puts too much emphasis on the "asymmetrical" side of the phrase and not enough on the fact that it is, indeed, real warfare. Asymmetry is a concept. War is, as we see, blood and death...

Author: /time Magazine | Title: The Case for Rage and Retribution | 9/12/2001 | See Source »

...much-praised RSC Coriolanus in 1994, calls it a "timely cutting away of dead wood for a company that was overstretched." RSC managing director Chris Foy speaks enthusiastically of a break from his company?s "well-engineered but constricting operating model, a move away from the railway timetable concept." But whether the RSC finds a new direction, or has its identity chipped away by the dogfight for vacant theaters and the struggle to survive in the carnivorous world of the West End, is a dilemma it will soon have to resolve...

Author: /time Magazine | Title: Where to be or not to be | 9/10/2001 | See Source »

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