Word: concert
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Dates: during 1930-1939
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...harpsichord, which looks like an incubator-baby-grand piano and sounds like a choir of mandolins, was once the most important of concert instruments. Before it was ousted (at the beginning of the 19th Century) by the louder and more flexible modern piano, composers like Bach and Handel wrote sheaves of compositions for it. Even Beethoven turned out a batch of sonatas for the harpsichord. Today, harpsichord playing occupies the position that falconry does in the field of sports. And most early harpsichord music is now played on modern instruments like the piano. But today's handful of harpsichordists...
When they are not giving concerts, Chicago's Manuel & Williamson tinkle their harpsichords in privacy in a handsome old greystone house on the South Side. Its 14 large, high-ceilinged rooms are filled with obsolete instruments, antique pictures, books about music of the long ago. Inseparable bachelors, they act, talk, think alike, have identical handwriting, birthdays within 24 hours of each other (June 29 and 30). Though they have toured the whole U. S., they have never appeared in Manhattan because Manhattan concert managers insist that they hire their own hall...
Opening a series of three performances at Harvard, the Stradivarius Quartet will give a free public concert in the Fogg Museum of Art tonight at 8:15 o'clock. The program will include selections from Purcell, Haydn, Bartok, and Beethoven...
When Londoners began to cock their ears for bombs rather than Beethoven, London's concert halls shut up shop. But last week London music opened at a new stand, started doing a rushing business. The hall was London's venerable and massive National Gallery, whose thousands of priceless canvases were long since taken from their frames and stored "somewhere in England." Famed British Pianist Myra Hess and her teacher, 81-year-old Tobias Matthay, thought up the cheerful idea of filling the empty, tomblike gallery with popular-priced concerts for London's war-worried workers. With...
...their first concert, a recital by Pianist Hess, they expected a scattering of two or three hundred, were surprised by more than 1,000, who sprawled on the floor, leaned against the pillars, clung to the gallery's empty picture frames. ("Don't sit on those frames, please," pleaded the gallery's sweating guards. "They cost ?250 each.") By the time the first week's concerts were over, Pianist Hess had received nearly a hundred letters from famous musicians promising voluntary support, or services for a small fee, to help feed London's starved music...