Word: concert
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Dates: during 1950-1959
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...Headaches. At 64, Composer Orff is more confirmed than ever in the direction he took in 1936, when he completed Carmina Bur ana, his first major work, and ordered all his previous manuscripts destroyed. Orff totally rejects the idea of "pure music," never writes for the concert hall. He places such importance on the texts of his "dramatic cantatas" that he will permit none of them to be translated, although he himself seems intrigued by foreign idioms. When working on Oedipus, he decided to write the musical directions in Italian, the stage directions in Latin, e.g., the entrance...
...disappointing to see Sanders only half full for the H.R.O.'s Christmas concert of modern music. If the poor attendance was in main due to the fact that the program consisted entirely of works composed in this century, then this speaks ill for Harvard's intelligentsia. Certainly the first and last pieces on the program by Samuel Barber and Manuel DeFalla could not possibly be considered "difficult" works and, to those familiar with Schoenberg's atonal period and the orchestral songs of Mahler, the Octandre by Edgar Varese, the French avant-garde composer and the Four Orchestra Songs...
Victor Manusevitch's programming for the second concert of the Cambridge Civic Symphony Orchestra was highly imaginative, but the Orchestra's response to his direction was often disappointing, for one reason or another. In the Mozart Piano concerto (K 271, in E flat) the very excellence of the soloist, a young Frenchwoman named Eveylne Crochet, made the Orchestra's contribution seem rather weak. Mile. Crochet's reading, a compendium of elegant phrasing, effortless roulades, and delicious, unforced tone (for which the piano is probably due some credit) was the performance of a knowing, sensitive professional. But the Orchestra is only...
...product of Haydn's thirties, a tempestuous, tragic utterance that ought to give new ideas about this composer to those unfamiliar with his early work. Played with vigor and affecting lyricism, it was the sort of performance Mr. Manusevitch can, and hopefully will give us in the spring concert, which includes a contemporary work and a Handel harp concerto. The Orchestra's shortcomings are primarily technical, and its purely musical potential is substantial indeed...
Mark Lass, plump, solemn and 61, claimed he had been a Red general. His brother Boris, 64, he said, was a concert violinist and had been the Soviet Union's top art official in the early 19205. They left Russia for Japan in 1926, taking with them 200 "masterpieces" collected by their mother. Settling finally in Manhattan, they became naturalized citizens in 1945. By then their collection totaled some 280 canvases, which they valued at about $25 million, included paintings with such signatures as Gauguin, Van Gogh, Soutine, Cezanne and Monet. But money was running out. Nine months...