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Word: concert (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...still decks himself out with kazoo, tambourine and drum for his concert dates, and operates with all the style that nearly $4,000 a week allows. Next week Partridge will take all his gear along to the U.S. to promote the new Tom Courtenay film Otley, in which he sings the song Homeless Bones on the sound track. Unless his fortunes ebb, his busking days are over. "It became too embarrassing," he says. After the success of Rosie, people started recognizing him as a celebrity. But instead of dropping less in his hat, they gave more. He still does...

Author: /time Magazine | Title: Performers: The Rosie Side of the Street | 2/7/1969 | See Source »

...most young people, classical music is a drag. Pianist Lorin Hollander, 24, thinks he knows why: "At a rock concert, the atmosphere is love. The rock groups talk their language. But at a classical concert, all they see is a guy in white tie and tails coming out very up tight on a platform. That's a plastic mannequin - society's little machine running up there. If live concerts are going to survive, the artists themselves are going to have to change...

Author: /time Magazine | Title: Pianists: Rebel in Velvet | 2/7/1969 | See Source »

Hollander's chief concern these days is to get the hip audience out of the rock palaces and into the concert halls -at least long enough to hear him play...

Author: /time Magazine | Title: Pianists: Rebel in Velvet | 2/7/1969 | See Source »

Sure enough, the kids came as they were - in leather ponchos, chains, boots, olive-drab Army overcoats and lots of long hair. They ganged up at the box of fice just before concert time and gave Lincoln Center's Great Performers series its best one-day sale of the season...

Author: /time Magazine | Title: Pianists: Rebel in Velvet | 2/7/1969 | See Source »

...kind of audience breakthrough that has marked most of Hollander's concert appearances in the past two years. At Brown University he walked onstage in a turtleneck, boots and tight slacks, then "rapped a bit," as he puts it, with the students. "We had a give and take, a sway over the footlights," he recalls. "They felt something, that I was one of them, that I was giving them no lies, that I was not one of the programmed society." Last year he spent a week with the experimental Living Arts Program in the Dayton, Ohio, public schools, teaching...

Author: /time Magazine | Title: Pianists: Rebel in Velvet | 2/7/1969 | See Source »

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