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Word: concert (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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What Carnegie did was go electronic. Last week at a gala recital presented by Concert Organist Virgil Fox, the hall showed off its newest feature-a behemoth that can growl, sing, tinkle, purr and blast in a way unmatched by any other organ. A one-of-a-kind creation built by the Rodgers Organ Co. of Hillsboro, Ore., the new instrument is the most up-to-date and expensive electronic organ in the world. Carrying a price tag of $200,000, it took 23 months to design, construct and install. The finished product fairly bulges with audio-oscillators, sine-wave...

Author: /time Magazine | Title: Music: Carnegie Goes Electronic | 10/14/1974 | See Source »

...were even more Dylanesque than usual, were accompanied by queenly dancing, spasmodic convulsions, and hesitant twirlings of the microphone. Highlighting his stage show was the random interjection of obscenities often followed by the violent felling of the microphone stand, which actually constituted one of the lighter sides of the concert. Whenever the mike stand came crashing to the ground, an obedient roadie would diligently high-tail it across the stage in order to reset it, in perfect likeness to a ballboy during a championship tennis match...

Author: By John Porter, | Title: All That Glitters... | 10/11/1974 | See Source »

THERE WAS SOMETHING about the concert that missed as a whole and whether it was Reed's fault or his band's is pure speculation. The band was a gifted and tempered one and contrasted strongly to the gritty, nerve-grating sound of the Velvets. But in retrospect, that type of coarseness would not make it today, if for no other reason than the size of concert halls. Let's face it--the Velvets were a hard-driving rock and roll band that relied on the intimacy of a club like Max's fully to project their image and encourage...

Author: By John Porter, | Title: All That Glitters... | 10/11/1974 | See Source »

...think Reed prophetically foresaw this complication a little less than a year ago, the proof of which was the enlistment of a core of superb studio musicians whose ability was evident on Rock and Roll Animal, a live recording of one of Reed's concert dates at New York's Academy of Music. This divergence from the Velvet's sound presented Reed in a new light, perhaps disappointing to a few Velvet diehards but generally well-received by critics and fans alike. Thus the formula was simple for all future tours: back up Reed's vocal performance with a tight...

Author: By John Porter, | Title: All That Glitters... | 10/11/1974 | See Source »

...that this was a bad concert. Nor could I say that it was even to some extent a disappointment had I not heard Reed's previous recorded live effort. I can only regret not having been one of the Academy of Music's privileged few who witnessed the birth of a rock and roll animal...

Author: By John Porter, | Title: All That Glitters... | 10/11/1974 | See Source »

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