Word: concert
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Dates: during 1990-1999
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...second half of the recital was all Chopin, a calculation made no doubt in part on the success of Ohlsson's recordings for the Arabesque label. The Op. 46 Allegro de Concert in A is an exceedingly unpianistic work, and Ohlssonis performance was less than motivated, but at least he was about to make some sense of it. His ferocity in the chromatic runs recalled his excellent performance of the finale of the Second Piano Concerto...
...back room at the club, I chatted before the concert with the bassist/lyricist for the band, Magnus Sveningsson, and the guitarist/keyboardist, Lasse Johansson, about this massive reversal on their new album, Gran Turismo. Tall, with gelled-back hair and an intelligent worker's face, Svenningsson explained, "We and Tore [the producer] sat down, and we wanted something new. We even thought about changing producers, but [Johansson] felt the same way: the Cardigans' sound was a bit dull....So we bought a big computer and made this album." If the brave new Cardigans struggled at certain points, as when the electronics...
Still, though the crowd treated the night like a wild masquerade ball, flaunting everything from glam, flamboyant goth-wear to afro-wigged funk getups to the occasional microchip clean room bodysuit, the band seemed bewildered, even a little subdued. Though winsome Emm Gryer, who opened the concert with a derivative, folky set, seemed entirely in her element with the crowd, the Cardigans were adorably incongruous in their neat, Eurotrash sweaters and sleek leather pants. In fact, as singer Nina Persson revealed during the performance, their native Sweden observes Halloween not as a night of costumed revelry, but as a solemn...
...regrettably brief concert ended with an encore cover of Ozzy Osbourne's "Sabbath Bloody Sabbath" replete with wailing guitars and a three minute code of distorted power chords. The fans seemed dazed, but not unimpressed. Even those who came for the kitsch stayed for the clamor. This wasn't the Cardigans of "Lovefool," but the confidence of this heavier aesthetic was winning. Johansson proclaimed, "People may think we are trying to get more commercial, but we don't make music for a special kind of audience. We make music for ourselves, and we wanted this sound. Lots of violence." Loud...
...strong enough of a person to handle yet another weekend of Harvard a cappella, head over to MIT to experience MIT a cappella. The Chorallaries, a coed a cappella group, is having their Fall Concert. For once you'll see something there other than the frats. 7:30 p.m., MIT Room 10-250, 77 Mass. Ave., Cambridge, 617-225-6545. FREE...