Word: concertant
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Dates: during 1920-1929
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...fundamental with American labor that the state shall be required to do nothing which the individual can do for himself either by his own efforts or by acting in concert with his fellows. American wage earners look upon themselves as citizens of the republic, standing on an absolute equality with all other citizens in respect to every attribute of citizenship. They have no desire to be regarded as a class set apart to be shielded by the protection of special political agencies and they refuse to permit discrimination against themselves on account of their status in the economic or social...
...program of the "Pops" concert at 8.15 o'clock tonight in Symphony Hall follows: 1. Prologue to "Pagliacci" Leoncavallo 2. Waltz, "Dream of Love" Fahrbach 3. "Devotion" Herbert 4. Fantasia, "Manon" Massenet 5. Marche Slave Tschaikovsky 6. Berceuse Johns 7. Overture to "The Bat" Strauss 8. Bentley School Songs 9. American Military Fantasy Rollinson 10. Waltz, "Spanish Serenade" Metra 11. Slavonic Dance, No. 7 Dvorak
...program for the regular "Pops" concert at 8.15 o'clock this evening in Symphony Hall is as follows: 1. Overture to "The Sicilian Vespers" Verdi 2. Waltz, "Vienna Bonbons" Strauss 3. Deep River Burleigh-Jacchia 4. Fantasia, "L'Oracolo" Leoni 5. Prelude and Siciliana from "Cavalleria Rusticana" Mascagni 6. Turkish Patrol Michaelis 7. Sextet from "Lucia di Lammermoor" Donizetti 8. Wotan's Farewell and Fire Scene, "The Valkyrie" Wagner 9. "The Shamrock," Selection of Irish Airs Myddleton 10. Panamericana Herbert 11. Bacchanale from "Philemon et Baucis" Gounod
...often find the belief among concert performers that they are in some peculiar rapport with their audiences, that they can sense instinctively the state of mind of their audiences toward them and that they draw inspiration in a more or less mystical manner from sympathy and discouragement from coldness. Orators and actors hold similar notions. With most these beliefs are vague. Not so with Rubinstein. He has quite a definite theory of telepathy between himself and his audiences. He always selects some person or several persons in the audience to play to. He does not need to see these chosen...
...regular program of the "Pops" concert at 8.15 o'clock tonight in Symphony Hall is as follows: 1. March. "Semper Fidelis" Sousa 2. Overture to "Mignon" Thomas 3. Waltz, "Waves of the Danube" Ivanovici 4. Fantasia, "The Jewels of the Madonna" Wolf-Ferrari 5. Prelude to "Lohengrin" Wagner 6. Gypsy Dance from "Henry VIII" Saint-Saens 7. Barcarolle from "Tales of Hoffmann" Offenbach 8. Finnish Rhapsody Glazounov 9. Fantasia, "II Trovatore" Vardi 10. En Sourdine Tellam 11. American Fantasy Herbert