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Madea's Big Happy Family, like most of Perry's work, is an odd hybrid of populist comedy-drama, rock concert, revival meeting and motivational seminar. The broad comedy, stereotyped characters and simple set (a two-story family house, living room downstairs, bedroom upstairs) give the show a TV-sitcom feel - an impression reinforced by the video screens that project the action simultaneously, even edited with two-shots and closeups...

Author: /time Magazine | Title: Tyler Perry's Big Happy Family | 2/22/2010 | See Source »

From his first concert series at the International Hotel in 1969 until his death in 1977, Elvis was Las Vegas. Glammed up in sequined duds that would make a showgirl or Liberace envious, he pleased his aging audience, singing his early hits that once had the musk of sexual revolt but by then were golden oldies. And while he redefined Sin City's notion of a headliner show, the town changed Presley as well. At the end, the kid from Tupelo, Miss., may have been more Vegas than Elvis...

Author: /time Magazine | Title: Viva Viva Elvis! | 2/22/2010 | See Source »

...easy going, so easy to get along with, and up for anything,” Corriero said, recalling that Cahow could often be seen watching a friend’s game or going to an a cappella concert...

Author: By Monika L. S. Robbins, CONTRIBUTING WRITER | Title: Caitlin K. Cahow ’07-’08: U.S. Ice Hockey Olympics Medallist | 2/22/2010 | See Source »

...death in 1919 at the age of 78 - fascinated some of the chief figures of modernism. Picasso was on board; his thick-limbed "neoclassical" women from the 1920s are indebted to Renoir. So was Matisse, who had one eye on Renoir's Orientalist dress-up fantasies like The Concert, with its flattened space and overall patterning, when he produced his odalisques. Given that so much of late Renoir seems saccharine and semicomical to us, is it still possible to see what made it modern to them? (See TIME's photo-essay "The Renaissance's Big Men on Canvas...

Author: /time Magazine | Title: La Vie en Rose | 2/18/2010 | See Source »

...that we head for, to climb to the top. They’d never done it. We’re on the ramparts, and there’s a staircase weaving around the tower. There are turrets. We discuss places where Rubin and Dave can have their first concert: out a window, above the portcullis. This is the realest castle we’ve ever seen. We get as far as we can go, stopped by a wooden door, and the guy who went to reform school gets it open. We’re inside. It’s just...

Author: By Mark J. Chiusano, CRIMSON STAFF WRITER | Title: Brandeis | 2/18/2010 | See Source »

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