Word: concerte
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Dates: during 1960-1969
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...Miss Peter, 73, persuaded Composer Norman Dello Joio to write a special work for the sesquicentennial, then hired Eugene Ormandy and his Philadelphia Orchestra to come to Little Rock to play it. She mortgaged a small portion of her land to foot the $60,000 bill, meticulously planned the concert to the last detail (even making sure that none of the musicians was allergic to magnolias). Last week the orchestra performed Dello Joio's suite, Homage to Haydn, and Ormandy himself embraced Miss Peter onstage. She is, said Ormandy, "a new lady in my life, but very close...
Civic pride is strong, and few orchestras really want to quit. Because of union-backed demands, the big five already are operating 52 weeks out of the year. At first glance, it might seem that a longer season would automatically mean more income. But since every concert by every orchestra is a deficit affair, more concerts mean a larger deficit. Los Angeles has expanded its annual schedule from 37 weeks to 46 in the past three years, and the musicians are pushing hard for 52. "Sure, the schedule is murderous," says A.P.M. President Herman Kenin. "But the goal...
...exhibit was an antic collaboration with Charlotte Moorman, the cellist from Little Rock, Ark. In 1967, Paik (pronounced Pike) and Moorman established themselves as a sort of cerebral John Lennon-Yoko Ono act when Charlotte, topless, played Paik's composition Opera Sextronique. Again last week, Charlotte let her concert gown fall to her waist, but this time her breasts were covered by two 3-in. TV sets. Explained Paik with a broad smile: "By using TV as a bra, the most intimate belonging of a human being, we try to humanize the technology...
Undulating across the stage, eight shapely young ballerinas mimicked the sensuous rhythms of a belly dance. Portraying Bedouin tribesmen, a chorus of 150 men sang a lusty hymn to Allah. At sunrise, the wailing voice of the muezzin filled the concert hall, summoning the faithful to prayer. "O lonely night, last forever," crooned a tenor, looking across the moonlit sands. "You've made me learn to live and love...
...over Europe, young men looked up wide-eyed after hearing a Bunk Johnson record, or a rare George Lewis concert, and said, "I can't be satisfied with listening to records. I must learn to make music like that myself. Some day I will go to New Orleans with my horn, and I will play with George Lewis, and Kid Thomas, and Percy Humphrey." Young foreigners flocked to this Mecca all through the sixties. Some gave up their careers, or postponed them, to spend years at a time soaking up the music and the culture which created...