Word: concerted
(lookup in dictionary)
(lookup stats)
Dates: during 1930-1939
Sort By: most recent first
(reverse)
...chance to rummage in Conductor Kajanus' attic in Helsinki. There he found the missing manuscripts: Lemminkäinen and the Maidens, and Lemminkäinen in Tuonela. Overjoyed, Conductor Schneevoigt got permission to perform them at Finland's 1934 Kalevala Festival. Last week, in an all-Sibelius concert by the NBC Orchestra in Manhattan's Carnegie Hall, Conductor Schneevoigt gave U. S. listeners their first chance to hear the Tuonelese swan's long-lost cronies. While Manhattan's Sibelians clapped their hands with joy, soberer critics decided that the missing pieces merely filled...
During World War I, while Germans dropped a few bombs on London, Manhattan's Metropolitan Opera House dropped Richard Wagner's operas, the Boston Symphony dropped Conductor Karl Muck, and U. S. concert artists valiantly searched their attics for Italian, French and Russian substitutes for the tunes of Beethoven and Brahms...
...Conductor Harrison began to feel he had struck a shockingly wrong note. Sputtered he: "The London press have made a mountain out of this molehill. I made a semi-jocular remark to a local press correspondent to the effect that the Siegfried Line is not calculated to make concert goers queue up for a performance of the Siegfried Idyll. I am thinking of putting the matter in the hands of my solicitors...
...theory the delegates heard: a dozen concerts ranged in theme from music of the two Americas to Venetian and Dalmatian songs of the Renaissance. One program resurrected unpublished music by Handel, none of it performed since the composer's day. Enjoyed most by delegates and outsiders alike was a concert of medieval music at The Cloisters, Manhattan's museum-piece museum of Gothic art, where bull-necked French Tenor Yves Tinayre and a girls' choir sang motets, trouvere songs, Gregorian chants...
...notes of the scale and operated by wires and cranks from a central "clavier" bristling with hefty levers and slat-like foot pedals. By punching with his clenched fists and scrabbling with his feet, a good carillonneur can play anything from roundelays to opera. Because a carillon concert takes a deal of punching and scrabbling, carillonneurs have to be husky. Because all carillons are different, and because very little music is written for the carillon, carillonneurs have to be their own composers and arrangers. Even the best bells jangle and hum with unwanted overtones. If the wrong overtones clash...