Word: concerted
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Dates: during 1930-1939
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Violinist Jascha Heifetz suggested that U. S. concert audiences should hiss whenever they feel like it: "American audiences are too standardized . . . too timid to express their real opinion of an artist...
...Johann himself did not slip, was soon turning out waltzes to beat the band. At the peak of his career he visited the U. S., conducted one gigantic concert with a chorus of 20,000 and 100 assistant conductors, was so frightened by the experience that he scurried back to Vienna for good. Seventeen years later, in 1889, a new popular musical movement had begun to sweep Johann and his waltzes into history. It came from the U. S. and it was in 4/4, not ¾, time. The Waltz Kings were succeeded by a March King: John Philip Sousa...
...concert of the works of Bach and Handel will be given b y the University Orchestra in Paine Ball next Wednesday night at 8:15 o'clock...
...because the details of the treatment of the text--the setting of the individual words--was considered inferior to that in the works of Byrd. This sort of comparison is useless as a way of determining the musical value of either type of composition, for in the orchestral-choral concert work, the details of fitting the individual words and phrases to the musical lines is secondary to the general movement of the whole composition. In the small church piece, on the other hand, the subtle enhancement of the phonetic and expressive qualities of each word and phrase by the musical...
...less religious, probably, in the Symphony of Psalms or the Beethoven Mass than in the music of the sixteenth century; it is merely different. If we allow that it is legitimate to take sacred texts like the mass and the psalms from the church service to the public concert, then we must adopt a broader, more general view of the significance of the text and the sort of setting which is appropriate...