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Word: concerting (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...audience at Sanders Theatre Friday night heard the best music that's been played at Harvard all year, and they probably had more fun than anyone else in Cambridge. The HRO concert was more than music--it was sheer delight...

Author: By Beth Edelman, | Title: HRO Concert | 5/11/1965 | See Source »

...genius. Alone at his piano in the center of the very stage where he made his U.S. debut in 1928, Vladimir Horowitz, 60, played on and on-but never for the public. Finally, after twelve years of self-imposed retirement, the pianist announced he would perform one more concert next week. Some 1,500 fans formed a grim, silent queue for tickets, which were so scarce that even Walter Toscanini, Arturo's boy and Horowitz's own brother-in-law, had to stand in line for three hours...

Author: /time Magazine | Title: People: May 7, 1965 | 5/7/1965 | See Source »

...Harvard-Radcliffe Orchestra will conclude its season at 8:30 p.m. tonight with a concert in Sanders Theatre. The program will include works by Mahler, Mozart, and Verdi, and the world premiere of conductor James D. Yannatos's Prieres dans l'arche, Chloe Owen, soprano, will be the soloist in the Mahler and Yannatos works...

Author: NO WRITER ATTRIBUTED | Title: HRO Concert | 5/7/1965 | See Source »

...Bach Society concert Sunday evening in Paine Hall began with a croak from the horn. The first piece on the program was Webern's arrangement of the Ricercare of Bach's Musical Offering, and the theme of Frederick of Prussia's is first stated by the horn alone; admittedly it is a dirty trick to play on the unfortunate hornist, but it is a common enough practice, and this particular player was not up to it. He also succeeded in spoiling a large part of the orchestral accompaniment to the soprano in the Beethoven aria Primo amore, piacer del ciel...

Author: By Hugh B. Gordon, | Title: The Bach Society | 5/5/1965 | See Source »

...program of the Byzantine-Russian Liturgical Choir's Sunday night concert noted that "because of the sacred nature of the music the audience is requested not to applaud." But if the nature of the music made applause inappropriate, the quality of the performance made it all but compulsory...

Author: By Beth Edelmann, | Title: The Byzantine-Russian Liturgical Choir | 5/4/1965 | See Source »

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