Word: concertize
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
...Marlboro Music Festival appears in a program of chamber music performed by violinst Young-Uck Kim, violinist Heeichiro Ohyama, cellist Timothy Eddy, and pianist Stephanie Brown. The "Music from Marlboro" concert includes Duo for Violin and Viola in B flat, K. 424, Mozart; String Trio in G major, Op. 9; and Piano Trio in F minor, Op. 65, Dvorak. Longy School of Music, 1 Follen St., Cambridge. 8:30 pm. $6, $3 with student...
...this, Stover's first Boston concert since his trek south, be prepared for his lightning picking, a little banjo frailing and some rare Stover guitar-flatpicking. Tickets are $4, kids under 12 free; call 492-0415 for more info. Coffee and punch served free, bring some home-baked munchies and an instrument for the after-show pickin' party...
Examples of the beneficial effects of individual contact between English- and French-speaking Canadians are omnipresent. Two weeks ago in Montreal I encountered a high school band from Vancouver visiting Quebec on a concert tour. Several Vancouver students stayed in the homes of French-Canadian hosts, with guests and hosts establishing strong friendships. The musical performances of the tour became incidental as the students formed deep personal attachments to one another. Many tears were shed when the time came for good-byes. It is my opinion that you would not find a single separatist among either of those groups...
...Pink. A Dolly Parton concert is a treat, like a hot-fudge sundae after a month of dieting. As the lights come up, the band tears into Jackie Wilson's old rhythm-and-blues specialty Higher and Higher. Dolly is backstage strutting about, slapping her thighs, her hands, an amplifier, anything. Suddenly, on cue, she leaps onstage and takes Higher and Higher even higher...
...class. "The web of details" in Balzac's Paris, Sennett writes, "is constructed such that general forces have a meaning only as they can be reflected in individual cases." But instead of showing the gradual dominance of personality in the public realm, Sennett shifts the scene abruptly--to the concert hall where Paganini made his violin performances more riveting than the music itself, to the barricades of 1848 where Lamartine made his frequent appearances before the workers more inspiring than his policies, and to the courtroom where Zola in J'Accuse made the matter of personal honor in the Dreyfus...