Word: concertize
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Dates: during 1970-1979
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...songs, though well known abroad, have been banned in East Germany since 1965. (One typical lyric ridiculing Communist bureaucrats, "Fat oxen belong in the pot/ Not in official positions.") Thus it came as a surprise when the East German authorities gave Biermann permission to go on a two-week concert tour of West Germany. Once Biermann left, the trap was sprung: his citizenship was canceled. Biermann was disconsolate, and has since pleaded to return...
...Alex Harvey for those of you enamoured of rock stars who sing Tom Jo nes' "Delilah" looking like a decadently deranged schoolboy in holey rugby shirt? Or the same fellow in flasher's raincoat and Richard Helm's hat, singing "Vambo to the Rescue" on Don Kirshner's Rock Concert. But I diverge. Listen to his best album "Next: The Sensational Alex Harvey Band". Title include "The Last of the Teenage Idols," "Gang Bang" and "The Faith Healer." My sister took A.H.'s word and, in penurious days, would pass around Indian cigaretts that smelled much more interesting than they...
...concert opened with an old warhorse, "Autumn" from Vivaldi's The Seasons, which, as interpreted on Saturday night, justified its popularity. The piece featured Shumsky as violin soloist and conductor. The orchestra was extremely cut down, and resembled a sixteen piece Baroquesized chamber ensemble. The choice of music provided an excellent vehicle for Shumsky's awe-inspiring technical capability and his power to elicit clean, solid tone. The accompaniment by the chamber ensemble, especially in the final Allegro, had a shimmering, airy quality--one that marks a thoughtful interpretation of Italian Baroque music. Michael Curry, in particular, carried the obbligato...
...second half of the program, Shumsky returned to conduct the HRO in a less satisfying but still competent performance of Sibelius' Symphony No. 2 in D. The musical strides HRO has taken since their first concert last month became particularly evident as the entire orchestral ensemble arrived on stage. Shumsky's rigorous approach paid off in good intonation and intelligent treatment of musical lines. Again, the choice of music fit the performing group, as the segmented polyphony merged in and out of broad themes, allowing each section maximum opportunity to 'sing' unabashedly in its turn...
...first two movements were the most successful; the Scherzo proved extremely demanding for the strings. The triumphant fourth-movement Allegro needed, quantitatively, more than the single doublebass present, and qualitatively, a fuller and richer brass sound, especially from the trombones. Nevertheless, the concert in its totality was impressive and gratifying. Under the right conditions, there's no reason HRO can't be a consistently fine orchestra, and the group sounds as if it is well on the right track right...