Word: concertize
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Dates: during 1970-1979
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...double-barreled concert was to have been the feature attraction of a daylong festival celebrating the 28th anniversary of East Germany's birth as a Communist state. In one corner of East Berlin's huge Alexanderplatz, a Western-style rock group, Express Berlin, was performing before several hundred rapt young people. At the opposite end of the square, a Russian military band tootling patriotic marches competed unsuccessfully for the crowd's attention. Suddenly, the cacophony erupted into violence...
...trouble began when several rock fans tumbled down a poorly covered ventilator shaft on the Alexanderplatz. Clearing the way for rescue teams, police ordered the rock band to stop playing but permitted the Russians to continue their concert. Enraged, the youngsters attacked the police Hurling bottles, sticks and planks and smashing the windows of surrounding buildings, the crowd howled, "Biermann, Biermann"-referring to Poet-Balladeer Wolf Biermann, one of many dissident East German artists and intellectuals who have been forced into exile (TIME, Oct. 3). More menacingly, the rioters began to chant, "Russians out! Russians out!" East German officials were...
...tuned up and ready to blow, the National Symphony Orchestra of Washington waited on the stage of the austere concert hall at the John F. Kennedy Center. A cheerful cherub of a man walked swiftly to the podium and smiled at the audience. His face was a pale Russian winter's landscape, his blue eyes shone mischievously. He turned toward his colleagues and, with a sturdy slash of his baton, launched into a high-speed, raucous overture that seemed to roil the Potomac. It was strictly show-biz razzmatazz, a pastiche stitched together by Leonard Bernstein from his 1976 musical...
Slava had been glorying for two weeks. For his season's opening the week before, he featured Rudolf Serkin in a velvety performance of Beethoven's Fourth Piano Concerto, creating a sensitive orchestral accompaniment to Serkin's ethereal tonalities. For the Bernstein concert, Slava took up his own instrument, while Lenny conducted his Three Meditations from "Mass" for Violoncello and Orchestra, an episodic piece that gave listeners a chance to hear Slava produce his exquisite cello sound, to watch his left hand flick across the finger board, his right arm streak like a bowing jet. Both programs were enlivened...
Slava rarely practices the cello; he seems always to be warmed up and ready to go. He can run on for days in a row without sleep. Some years ago, during a hectic concert tour, he sat down on a stage to play the Dvorak Cello Concerto and fell asleep during the orchestral introduction. Startled when his cue came, he whispered to the conductor: "You played that so magnificently that I was spellbound. Please start again...