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Word: concertized (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...concert was truly a visual as well as an aural treat. Symphony Hall, of course, was at its gilded rococo best, and nearly filled with a largely elderly audience. Rich blue purple velvet and white tie tuxes dominated the stage in both the orchestra and choir, providing a beautiful setting for the soloists' brocades, sequins, taffeta and diamonds. Nor did the non-musical excitement end there. A brief intermission provided opportunity to eavesdrop on the gossip of the very nattiest of the old Boston families or enjoy a cigar or rose in the lounge...

Author: By Anriane N. Giebel, CONTRIBUTING WRITER | Title: A Sweet Treat for the Eyes and Ears, Blissful Baroque Comes to Boston | 10/31/1997 | See Source »

...melodrama to it that we associate with introspection or life-changing decision-making. We tend to think of individual choices as private choices, made in the security of our homes or in close conversation. It is hard to imagine resolving to be a good dad at a rock concert...

Author: By Noah I. Dauber, | Title: A New American Individualism | 10/29/1997 | See Source »

Others such as Daniel A. Simon '99, who was taping bright green posters advertising this past weekend's Jambrosia concert to the asphalt just past the gates, said the clutter of posters on gates is "a necessary evil [for students] to promote their activities in a college environment...

Author: By Christopher T. Boyd, CONTRIBUTING WRITER | Title: College Creates Sandwich Boards to Combat Thayer Gate Postering | 10/27/1997 | See Source »

Moises Cascante, a Brown first-year, who is a Dominican, said that the debates and concert organizers have used a broad race definition for the conference, which he feels addressed all Latino concerns...

Author: By Barbara E. Martinez, CRIMSON STAFF WRITER | Title: Raza Hosts Intercollegiate Chicano Conference | 10/27/1997 | See Source »

...closing segments of the concert really illuminated the dueling influences of simple and extravagant. As if to take a break from the nearly overwhelming light show that surrounded them on the main stage, the group at one point walked across a bridge which telescoped out to the middle of the field, where a small elevated stage awaited them. Here, they played such songs as "Crazy Woman," "The Last Time" and "Sympathy for the Devil" isolated in the very midst of the thousands of screaming fans, without any lights or effects to distract. If their point was to show that they...

Author: By Jonathan B. Dinerstein, CONTRIBUTING WRITER | Title: Rolling Stones: Still No Moss | 10/24/1997 | See Source »

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