Word: concertized
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Dates: during 1990-1999
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...stick, and the young John Cage as an assistant, he moved exposure by exposure through a film whose vigor belies none of this inch-work. His use of symphony music and the theatrical quality of his compositions lend his short films the feel of Disney's famous concert feature, "Fantasia," which he worked...
...letters, the names of the Great Composers--Beethoven, Schubert, Bach--remind us that we are in a temple of culture, to be enlightened by the best music from the best minds in history. The literal presence of these great names only emphasized the question posed by last Sunday's concert: is that tradition still alive, and does John Harbison belong...
...Flight into Egypt," a professorship and commissions from major orchestras. But success for a composer in 1995 is not what it was even 50 years ago; the audience for Harbison's music, like the audience at Paine Hall on Sunday, is mainly other musicians and musical scholars. The concert, which featured Harvard students performing three short chamber works, illustrated some of the reasons...
...more than poets and painters, they are creatures of the academy and the foundation. It is possible that it has always been so, that foundations have simply replaced the nobility as sources of patronage. Still, one has the feeling that a hundred years from now, nobody will build a concert hall and put the names of Harbison, Adams and Cage on the frieze...
Born in Pittsburgh, Pennsylvania, Wild was sight-reading by age six, his fluid technique already a source of wonder. As a teenage student of the formidable Egon Petri (a tough, intellectual pianist renowned for his sturdy Liszt and penetrating Beethoven performances), Wild was already a concert-hall veteran, a kind of young American version of Vladimir Horowitz. In 1942, the legendary Arturo Toscanini invited him to play Gershwin's Rhapsody in Blue with the NBC Symphony. Wild remains the only American soloist ever to play under the fiery Italian maestro...