Word: concertized
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...After all the contentiousness about current politics, a celebration of a grand old style. The closing-night party featured a vivid display of fireworks and a lavish concert of Cole Porter songs rendered by the singing stars - Kevin Kline, Ashley Judd, Natalie Cole, Alanis Morrissette and Sheryl Crow - of the new Porter biography ?De-Lovely.? Cannes 2004 went out on a swellegant, elegant high note...
...Nobuko Matsumiya, a koto player, says her performances in the Metro have helped her book dates above ground, at concert halls in France and across Europe. "It's a good way to meet people," she says. Adds L?onor Lepr?tre, a Parisian soprano trying to make a name for herself: "It's a great public: if they like your music they stay; if they don't, they just walk away." Last year the RATP released Correspondances, an album featuring the Metro's best performers. Like any good showbiz impresario, Naso makes space in his otherwise cramped office for a couple...
...most involved in the case. "Randy's got his ear right now," says a knowledgeable source. The brothers have been at odds before. When Jermaine left the Jacksons temporarily in 1975, Randy replaced him; years later, they had a tiff when Jermaine threatened to withdraw from a 2001 reunion concert. People close to the family see Randy as a more stabilizing influence than Jermaine, a Muslim convert who helped bring in members of the Nation of Islam as Michael's security. If nothing else, the change in attorneys overseen by Randy "will slow down" the legal proceedings, says one source...
Catenaccio has also been heavily influential in reviving “The Collective,” a bi-weekly concert in the Quincy Cage. Her involvement began her sophomore year. “I went to the first [concert] and immediately became obsessed,” she says. She spent the rest of the semester offering her help, but the organizers never got back to her. “I’m pretty sure it was because I’m a girl,” she says, and points to how even now, it’s hard...
Catenaccio has also been heavily influential in reviving “The Collective,” a bi-weekly concert in the Quincy Cage. Her involvement began her sophomore year. “I went to the first [concert] and immediately became obsessed,” she says. She spent the rest of the semester offering her help, but the organizers never got back to her. “I’m pretty sure it was because I’m a girl,” she says, and points to how even now, it’s hard...