Word: concertizer
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...picture is based on a screenplay and novel by Nicholas Sparks (The Notebook, Dear John), the go-to guy for young-adult weepies. Once a princess of the Disney Channel, Cyrus has generated more than a quarter-billion dollars with her first three movies (the Hannah Montana concert film and movie, plus the animated feature Bolt, for which she was the lead female voice). Not bad for a kid who won't turn 18 until...
...movies. But will there be enough 3-D movies to fill those screens? Consider that last year, eight new films were released in the format: Avatar, Disney's A Christmas Carol, Cloudy with a Chance of Meatballs, Coraline, The Final Destination, Jonas Brothers: The 3D Concert Experience, Monsters vs Aliens and Up (plus 3-D transfers of the old hits Toy Story and Toy Story 2). Of the eight, half were animated features, one was a concert film, one the extension of a horror-movie franchise and the last two, Avatar and A Christmas Carol, live-action pictures in "performance...
...immediate works - the number of new 3-D movies should be 19. Ten of these are animated features (beginning with Dragon and ending in December with Yogi Bear); four are extensions of B-movie franchises (Step Up 3D, Piranha 3-D, Jackass 3D and Saw VII); one is another concert film (Kenny Chesney: Summer in 3D.) Two Disney films, Alice in Wonderland and Tron Legacy, are a mix of live action and digital fantasy. That leaves just two live-action movies - the Warner Bros. adventures Clash of the Titans and Harry Potter and the Deathly Hallows: Part I - that might...
...current fun czarina Sarah J. Sidwell ’09 was a former hospitality chair on the Harvard Concert Commission, a room reservations coordinator at the College Dean’s Office, and a member of the Advisory Board of the Student Organization Center at Hilles...
Joined by his aptly-named “Fountain of Youth” band (Jaleel Shaw on saxophones, David Wong on bass, and Martin Bejerano on piano), Haynes’ concert last Friday showcased his breadth of experience, and his mastery of the stylistic spectrum. His sensitive lightness of touch on the ballad “For All We Know” was contrasted with the face-melting tumult he unleashed on John Coltrane’s lightning-fast “Mr. P.C.” The impeccably poised swing he invoked throughout with his riding right hand...