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...bunker itself was discovered only in 1990 during, of all things, preparations for “The Wall,” the mammoth concert Roger Waters organized in celebration of German reunification. In May 1995, the regional parliament of Berlin, rejecting a proposal to retain the site as a monument, locked it and built houses for the representatives from the Bundesländer over it. A present-day visitor can walk by without having any idea of its significance...

Author: By Moira G. Weigel, CONTRIBUTING WRITER | Title: Hitler's Downfall Rescreened | 3/18/2005 | See Source »

Harvard Piano Society Presents The Spring Concert...

Author: NO WRITER ATTRIBUTED | Title: ON THE RADAR: Harvard Piano Society | 3/18/2005 | See Source »

...organization with over 300 members, a testament that the cliché may not be far from the truth. The Society links up students with teachers, enjoys social outings, and also works for a good cause, working with youth musicians and donating CD and concert proceeds to charity. Throughout the school year, the Society brings famed pianists to Harvard to critique the performances being polished for concert, and this year’s visits included Maestro Pierre-Laurent Aimard and Maestro Robert Spano from the Atlanta Symphony...

Author: NO WRITER ATTRIBUTED | Title: ON THE RADAR: Harvard Piano Society | 3/18/2005 | See Source »

...program they have prepared for Saturday’s concert will feature a program that Sternlight describes as “very challenging solo piano works,” with Chopin’s Premiere Ballade, Liszt’s Mephisto Waltz, and Rachmaninoff’s Prelude Op. 23, No. 5 in G Minor. Most of the performers, in addition to their undergraduate curriculum, study music extra-curricularly with teachers from the Longy School and New England Conservatory. Original student compositions will additionally make up some of the program, including a new piece entitled Sonatina by Derrick L. Wang...

Author: NO WRITER ATTRIBUTED | Title: ON THE RADAR: Harvard Piano Society | 3/18/2005 | See Source »

Instead of living in the shadow of their early fame, the four hip New Yorkers have brightened the paradoxically dark synthesized instrumental beats and cryptic lyrics of Turn On The Bright Lights. This evolution became tangible in concert as they progressed backwards, from new album to old, slowly speckling in songs from Bright Lights as Antics faded into the distance...

Author: By Nicole E. Rosner, CONTRIBUTING WRITER | Title: Rock Doesn't Tear Interpol Apart | 3/18/2005 | See Source »

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