Word: concertizer
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Sunday, March 13. Masterworks Chorale presents G.F. Handel’s The Coronation Anthems and Durufle’s Requiem Op. 9. 3 p.m. Sanders Theatre. $18-39. Student rush $5 half-hour prior to concert. Tickets available through Harvard Box Office...
...your ass on the line like you used to, motherfucker.” Heard at a concert, these words might suggest a pissed-off crowd or a burgeoning riot. It’s quite a different matter, however, when these words are spoken by the musician to himself, as Lou Barlow proved when he wittily muttered them at the Middle East Upstairs last Wednesday. In the context of that intimate setting, on one of the first dates of his new tour, the words shed an old light on the new Barlow...
When the lights dimmed and the Harvard-Radcliffe Orchestra (HRO) took the stage, Sanders Theatre was filled to the brim with a massive well-dressed crowd. The concert opened with Stravinsky’s “Symphonies of Wind Instruments” written in late 1920 based on a group of piano pieces composed earlier that year in honor of Impressionist composer Claude Debussy...
Students not present in Sanders Theatre Friday night may have missed the most exciting concert of the year. No, Chester French didn’t open for the Dins again and the corpse formally known as Bob Dylan is back on his ranch in Minnesota. But those students missed out on the latest on-campus opportunity to hear the playing of rising star and semi-professional concert violinist Stefan P. Jackiw...
Parents also had the opportunity to hear the Harvard Callbacks, Pitches, and Krokodiloes at a short concert in Sander’s Theater, visit House Receptions to meet their student’s House masters and tutors, and attend lectures given by professors...