Word: concertizing
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Dates: during 1930-1939
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...favorite band leader is Duke Ellington, visited Manhattan, listened reverently in hotspots, bought about 1,500 jazz records to take home with him. Critic Lim did not like jitterbugs. They seemed like irreverent, undignified drunkards. "If," said he, "we in Batavia were ever so lucky as to hear a concert by Duke Ellington or Tommy Dorsey, we would study it, sit and revel in the sound of it, but we would not shake our fingers at it nor cut the carpet with our shoes...
Asked how she came by her poise and cultivated musical taste (her only previous public appearances had been as a soloist with the Negro Hampton Institute Choir), Soprano Maynor modestly gave all the credit to her teachers. When she had heard the last concert of the Festival, Dorothy Maynor thanked her hostess for a nice time, took the next train for Manhattan, where she lives with her mother (a Methodist minister's widow) in a small upper-West Side apartment. When she got home she started practicing for her first public recital, at Town Hall in November. Said...
...reply last week. In Lucerne, Switzerland, for the second year, opened a month-long festival designed to cabbage some of the Salzburg trade. Biggest tourist bait, as he was last summer, was Arturo Toscanini, whose European pond has shrunk rapidly in recent years. He was down for five concerts, including two performances of a work from which he generates much heat, the Verdi Requiem, to be done in Lucerne's old Jesuit Church. Four concerts were to be broadcast, and Toscanini's son-in-law, Vladimir Horowitz, able pianist, was scheduled to make one of his rare concert...
...door. Heifetz' fiddle stirs in this embryonic cutpurse the will to resume his own studies on the violin. When the charitable music school which takes him in finds itself in an understandable financial jam, Heifetz is touched for a $5 bill, promises to attend the school's concert if he can. Although making him keep this amiable promise proves fully as difficult as it would be in real life, Heifetz does keep it, ends the picture in the musical blaze of Mendelssohn's Violin Concerto...
...tribute to Producer Goldwyn's pertinacity. Having convinced Heifetz with difficulty that it was his "duty" to make a movie, Goldwyn went to work on an ambitious story about a Jewish musician exiled from Germany, was brought up short when Heifetz refused to do any acting off a concert platform. Result was that Goldwyn had no story ready when Heifetz reported in Hollywood between concert tours last summer. In desperation, when Heifetz refused to wait for his $70,000, Goldwyn had him work it out in four strenuous weeks of recording everything from semi-popular music to concertos...