Word: concertizing
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Dates: during 1970-1979
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...mark the 150th anniversary of the composer's birth last week, what could be more fitting than for Pianist and Gottschalk Fancier Eugene List to take over Carnegie Hall for a "monster concert" in the master's manner? 40 PIANISTS! 400 FINGERS! 880 PIANO KEYS! said the posters. Actually, there were 41 pianists, all current or former students of List's in his more staid guise as a teacher (first at the University of Rochester's Eastman School of Music, now at New York University). Following a sort of platoon system, the performers came and went...
Less is more, said Mies van der Rohe. Oddly, at this concert, more was less. Pieces like Gottschalk's The Siege of Saragossa, a "grand symphony" for ten pi anos, or his arrangement of Rossini's William Tell overture for 20 players at ten pianos may have rung the rafters, but their massive sonorities tended to be mushy. The effect, especially when the scoring ranged into the silvery upper octaves favored by Gottschalk, was like a giant hurdy-gurdy...
Harvard-Radcliffe Ensemble Society--chamber music concert; Sanders Theater...
...early days the Art Ensemble's performance could be programmatic or even 60s-melodramatic; they once scheduled a concert in one Chicago hall and then performed in another. Today the Art Ensemble eschews formal theatrics, but they continue to affect a stage deportment that communicates--their movements can be stylized or abandoned, approaching sacred ceremony one moment and slapstick hokum the next. Jarman is the most consciously animated. During a drum solo he may turn his back and raise his arms as if in supplication or approach a microphone as if to sing but content himself with making faces...
Leslie Cook Memorial Concert--Jonathan Swift...