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Word: concerto (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

After the intermission the orchestra seemed revitalized as they accompanied Sheila Reinhold, a special student, in a stunning performance of Prokofiev's Violin Concerto No. 2. Stulberg and the Bach Society nimbly handled the complicated rhythms. Even during tutti passages the group never covered the soloist. Gliding through frequent changes in mood from sad to satirical, Reinhold maintained complete control. She demonstrated an exquisitely pure tone amidst the large intervallic leaps which Prokofiev loved to inflict on musicians...

Author: By Audrey H. Ingber, | Title: All's Well That Ends Well | 5/4/1976 | See Source »

Cathy Barbash, viola, with Gerry Moshell, piano, play a Brahms sonata and the Bartok viola concerto. Dunster Library...

Author: By Judy Kogan, | Title: Music | 4/15/1976 | See Source »

After the war the Byzantine scholars moved in, but in 1947 they put their books aside long enough to hear Igor Stravinsky conduct the premiere of his Dumbarton Oaks Concerto...

Author: By Fred Hiatt, | Title: Critics Hit Dumbarton Oaks Expansion | 4/6/1976 | See Source »

...Trock choreographers can come uncannily close to the original steps of the ballets they spoof. Peter Anastos, 28, (whose stage name is Olga Tchi-kaboumskaya) slyly transforms New York City Ballet's daisy chain into a spaghetti of arms and legs in his parody of Balanchine's Concerto Barocco. "Everyone who has seen Balanchine recognizes his chain of dancers weaving in and out and around each other," says Anastos. "So why not do a chain where someone gets stuck right in the middle and can't get out?" In the dazzling finale of the Corsaire...

Author: /time Magazine | Title: Dance: Faux Pas | 3/1/1976 | See Source »

...only a one-shot rehearsal before a concert, as was the case last Wednesday, there is not time for fuss, and the atmosphere is usually very businesslike. Though obviously still still angry over the Logan-Colonnade affair, Rostropovich loosed the atmosphere with his antics. At one point in the concerto's slow movement, the oboe and the solo cello join in a singing contrapuntal duet. The oboist was playing too loudly for Rostropovich's taste, and so he stopped playing, turned around, and, shaking his index finger, abruptly accused and convicted the offender. "Are you the cause of this?" Rostropovich...

Author: By Judy Kogan, | Title: From Russia, With Love | 2/25/1976 | See Source »

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