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...finale production number revealed more second-hand material. Significant plagiarism of Sam & Dave's "Hold On, I'm Coming" and Kool and the Gang's "Celebration" blemished the score, previously marked only by a humorous reference to Edvard Grieg's Piano Concerto. The orchestra seemed weary as well, though its strong rhythm section pushed onwards...

Author: By Daniel Altman, | Title: Pudding Show Is a Recipe for Disgrace | 2/21/1996 | See Source »

...both Dvorak's Humoresque and Stephen Foster's Old Folks at Home, is equally typical of his exuberant style. Most ambitious of all was the "Girl Gershwin," Dana Suesse (pronounced Sweese), born in Kansas City, Missouri. Her complex compositions such as Afternoon of a Black Faun and Jazz Concerto in D Major for Combo and Orchestra--she certainly wore her influences on her record sleeve--deserve a place in musical history alongside such crossover classics as Gershwin's Concerto in F, Igor Stravinsky's Ebony Concerto and Aaron Copland's clarinet concerto. "Dana Suesse was a marvelous pianist," says Mintun...

Author: /time Magazine | Title: MUSIC: THEY HAD RHYTHM TOO | 2/5/1996 | See Source »

...feels better. This is the method of nearly every scene in Patrick Sheane Duncan's script--as reductive and repetitive as a bad teacher's syllabus. And kids will learn things from Mr. Holland: the connection between Bach's Minuet in G Major and the '60s hit Lover's Concerto, how a white man can teach natural rhythm to a black athlete, the sign-language symbol for asshole. But mostly they will learn that films avoid the problems they pretend to confront. This one is a 2-hr. 20-min. homecoming rally for a musical Mr. Chips...

Author: /time Magazine | Title: CINEMA: FEEL-GOOD? NO, FEEL BAD! | 1/22/1996 | See Source »

Following Nagy's remarks, Holly Hogan, Winthrop resident tutor in Spanish literature, read a poem by Stephen Bender and Hahn played a Bach violin concerto, accompanied by Mary Farbood...

Author: By Sarah E. Scrogin, | Title: Hundreds Attend Memorial Service For Piedrahita | 1/17/1996 | See Source »

...quite high. It's difficult to say how good a violinist Vanessa-Mae is; the combination of her electric fiddle and the syntho-pop ambiance makes serious evaluation difficult. But there is no doubt about the talent of Leila Josefowicz, whose Carnegie Hall performances of the Sibelius Violin Concerto with Seiji Ozawa and the Boston Symphony two months ago were revelatory. An effortless technique and a rich tone that will only grow in size and warmth as she matures indicate that Josefowicz is one to watch...

Author: /time Magazine | Title: MUSIC: SEDUCTIVE STRINGS | 12/11/1995 | See Source »

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