Word: concertos
(lookup in dictionary)
(lookup stats)
Dates: during 1950-1959
Sort By: most recent first
(reverse)
...conductor, seated at the Baldwin in Manhattan's Carnegie Hall, looked at the greying, dignified man on his left and the professional fellow in horn-rimmed glasses on his right, both seated at Stein-ways. Then Leonard Bernstein launched his assembled forces into Bach's Concerto in C for Three Pianos. A part of last week's special Bach Christmas program by the New York Philharmonic, the concerto was ably executed, drew enthusiastic applause and an extra bow by the performers. The odd thing about the performance: Bernstein's fellow pianists had never before played...
...second half of the program was devoted to Manuel De Falla's Nights in the Gardens of Spain with Luise Vosgerchian as piano soloist. This luminous work, which uses the piano more as a part of the orchestra than does a formal concerto, combines evocations of Spain and its festive music with the muted orchestral transparencies of French Impressionist compositions. The orchestra and its marvellously accomplished soloist gave the work a stunning reading. The rapport between them was evident from the first and, throughout both Mr. Senturia and Miss Vosgerchian brought out DeFallas alteration between Latin passion and delicate poetry...
Victor Manusevitch's programming for the second concert of the Cambridge Civic Symphony Orchestra was highly imaginative, but the Orchestra's response to his direction was often disappointing, for one reason or another. In the Mozart Piano concerto (K 271, in E flat) the very excellence of the soloist, a young Frenchwoman named Eveylne Crochet, made the Orchestra's contribution seem rather weak. Mile. Crochet's reading, a compendium of elegant phrasing, effortless roulades, and delicious, unforced tone (for which the piano is probably due some credit) was the performance of a knowing, sensitive professional. But the Orchestra is only...
...that ought to give new ideas about this composer to those unfamiliar with his early work. Played with vigor and affecting lyricism, it was the sort of performance Mr. Manusevitch can, and hopefully will give us in the spring concert, which includes a contemporary work and a Handel harp concerto. The Orchestra's shortcomings are primarily technical, and its purely musical potential is substantial indeed...
...concerto recalled, among other things, that at 39, Isaac Stern is not only one of the world's great violinists but one of the U.S.'s fastest-moving, farthest roving musicians. He often talks of slowing down to give some time to teaching, but he is now in the midst of a countrywide tour, will play some 80 concerts by the end of April, then pack his Guarneri and head for his second tour of Russia (six weeks) before hitting the European summer festival circuit. Last week Stern was not in the least bothered at having to play...