Word: concertos
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...early 19th century classic and large Romantic works at either end of his programs, Yannatos has persistently scheduled pieces of 20th century music--often recent compositions--as keystones of his concerts. On Friday he led the HRO in performances of Mozart's Overture to Die Zauberfloete, the new clarinet concerto by professor emeritus Walter Piston, and that song to end all songs, Mahler's Das Lied von der Erde. What more could one ask of an evening...
...Harvard-Radcliffe Orchestra will present a concert at 8:30 p.m. tonight in Sanders Theatre. James D. Yannatos will conduct a program of Mahler, Das Lied von der Erde, Mozart, Overture to the Magic Flute, and Walter Piston, Clarinet Concerto. Tickets available at the door...
...Serenade for Thirteen Winds they sounded and appeared every bit as unrehearsed as the full Band. This work of the sixteen-year-old Strauss is a straightforward exercise in the academic, conservatory style of the late nineteenth-century. The opening theme is a cross between the Schumann piano concerto and piano quartet, and the rest is not only warmed-over, but decadent Mendelssohn. It is a delightful work in its way, but to succeed it requires complete control and attention to detail that the ensemble, heads buried in the music, was not prepared to give. The group was often...
...seen in half a dozen years. In addition he has won respect as a solo clarinetist and chamber musician. Daniel Troob, the excellent continuo-player in Adams's superb production of The Marriage of Figaro, was to team up with him again as the soloist in the Mozart Piano Concerto No. 23. One glance at the back of the program made it abundantly clear that Adams has accomplished a small coup d'etat in gathering so many of the community's best musicians...
...biggest disappointment of the evening was the Mozart piano concerto. In the Allegro the lower strings dragged terribly. The orchestra was constantly at odds with the soloist, overpowering him dynamically and struggling to arrive at a mutually conducive tempo...