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Word: concertos (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...good," but I have a strong suspicion that the composer of Time Cycle and Echoi has not suddenly stopped writing masterpieces and started writing trash. Moreover, your review is strongly reminiscent of the derisive criticism that has greeted every major composer. One is reminded of Mozart's clarinet concerto ("Unfit for ladies' ears") and Beethoven's seventh symphony ("The death agonies of an eviscerated serpent"). ANDREW STILLER Madison...

Author: /time Magazine | Title: Letters: Apr. 7, 1967 | 4/7/1967 | See Source »

Like many contemporary composers, America's Lukas Foss, 44, has been experimenting lately with new sounds. At Manhattan's Carnegie Hall last week, Foss conducted the London Symphony Orchestra, with Soloist Mstislav Rostropovich, in the world premiere of his Concert (not, inexplicably, concerto) for Cello and Orchestra. There were no really new sounds in the piece-just old sounds, such as blatt, splatt and pflat...

Author: /time Magazine | Title: New Works: Pffhonk! | 3/17/1967 | See Source »

Bartók left Hungary and eventually died in New York City in 1945. His work was neglected during his lifetime, but the compositions-notably his six quartets, the violin concerto and Concerto for Orchestra-are now deservedly regarded as masterworks of the century...

Author: /time Magazine | Title: Composers: Apostle of the Mother Tongue | 3/17/1967 | See Source »

...instrument (which Mr. Avshalomov used in Milhaud's "Percussion Concerto") to which the reviewer referred as "a dilapidated Fourth-of-July noisemaker" is actually a respected piece of percussion paraphernalia known as a ratchet. Ratchets have delighted so many for so long that it is scarcely necessary to recall their grand history...

Author: NO WRITER ATTRIBUTED | Title: NO NOISEMAKER | 3/11/1967 | See Source »

...instant she looked like a puckish milkmaid, the next like Ophelia going mad. The music was Schumann's cello concerto, a rapturous, heart-on-the-sleeve piece that was clearly intended to sear, not soothe, the savage breast. The cellist was Britain's Jacqueline Du Pré, who performed last week in Manhattan with Leonard Bernstein's New York Philharmonic. It was a performance to be seen as much as heard, for Du Pré couldn't sit still a minute...

Author: /time Magazine | Title: Cellists: A Prodigy Comes of Age | 3/10/1967 | See Source »

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