Word: concertos
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Dates: during 1980-1989
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...widow since 1978, Margaret always wears a long dress because "I just feel more elegant, to be blunt about it." She is horrified by the idea of a tip jar ("It would seem like soliciting") and is hurt only "if someone requests a classic, like a Rachmaninoff concerto, something that takes a lot of your soul and concentration, arid then talks throughout. That breaks my heart...
DVORAK: Serenade for Strings, Op. 22; Czech Suite, Op. 39 (Orchestre de Chambre de Lausanne, Armin Jordan, conductor; Erato). Dvořák is best known for his last three symphonies (including the inescapable "New World") and his omnipresent Cello Concerto, but many have long admired his smaller works. The Czech Suite brims with rustic high spirits−it includes a polka, a sousedka, or "neighbors' dance," and a dashing furiant−while the Serenade for Strings is a five-movement study in country-squire elegance. Jordan, a Swiss conductor who came to general attention leading the score...
BRAHMS: Piano Concerto No. 1 (Pianist Emanuel Ax, Chicago Symphony Orchestra, James Levine, conductor; RCA). The culmination of Brahms' early style, the D minor concerto began life as a sonata for two pianos; ever the perfectionist, Brahms transformed it into a symphony before finally discovering that what the music really wanted to be was a piano concerto. This rawboned yet ardently romantic piece gets a grand reading from Ax and Levine. But they never get so concerned with profundity that they forget that it is, after all, the work of a 25-year-old still finding his way. Particularly...
Beethoven: Violin Concerto (Violinist Gidon Kremer, Academy of St. Martin-in-the-Fields, Neville Marriner, conductor; Philips). Chopin: Piano Concerto No. 2 (Pianist Ivo Pogorelich, Chicago Symphony, Claudio Abbado, conductor; Deutsche Grammophon). These concertos, featuring two electrifying performers, are of unusual interest. Pogorelich has technique and temperament in equal measure; right from the piano's cascading entry, this is hot-blooded, Russian-style Chopin, more than a continent removed from the genteel salons of 19th century Paris. The Kremer-Marriner partnership in the Beethoven results in an elegant performance deliberately at odds with the customarily virtuosic way of viewing...
House Comm. co-chair. Bureau of Study Counsel Tutor Award Supervisor Freshman Heavyweight crew Concerto Magazine Senior Editor Dunster Drama Society...