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Word: concertos (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Pianist Jean-Yves Thibaudet brought his world-renowned skills to bear in a compelling performance of “Piano Concerto in G.” The first movement was quick and clear, highlighting Ravel’s jazzier inclinations and showcasing the orchestra’s collective virtuosity as it navigated extreme contrasts in volume and abrupt changes in melodic quality. The second movement’s lilting waltz kept a surprisingly brisk pace, making Thibaudet’s rare indulgent suspensions all the more effective. He maintained a steady sense of rhythm into the frenzied third movement...

Author: By Amanda C. Lynch, CONTRIBUTING WRITER | Title: Boston Symphony Orchestra Regales with Ravel | 10/8/2007 | See Source »

Hadyn Trumpet Concerto Phillips Brooks House...

Author: By The crimson arts staff | Title: ARTS FIRST CALENDAR | 5/2/2007 | See Source »

...Theatre—Felix Mendelssohn’s “Overture to A Midsummer Night’s Dream” and Johannes Brahms’s “Symphony No. 2 in D”—along with the world premiere of a cello concerto composed by the HRO’s longtime music director James Yannatos. The soloist for the concerto was renowned cellist Matt W. Haimovitz...

Author: By Eric W. Lin, CRIMSON STAFF WRITER | Title: ARTSMONDAY: HRO Show Proves Pleasing | 4/22/2007 | See Source »

...similarly defined by the two paths. He has conducted the HRO since 1964, while composing a sizable catalogue of works, many of which were premiered by the HRO. While only history can tell whether Yannatos will stand the test of time as a composer, his “Cello Concerto,” which received its world premiere on the concert, was at least the work of an assured and seasoned orchestrator, with colorful and dazzling passages at every turn. Yannatos clearly understood the strengths and weaknesses of the ensemble he was writing...

Author: By Eric W. Lin, CRIMSON STAFF WRITER | Title: ARTSMONDAY: HRO Show Proves Pleasing | 4/22/2007 | See Source »

...face of this minor setback and a slight hesitance in the orchestra after the second restart, the piece proceeded boldly to the end. While Yannatos described his composition in completely abstract terms in his notes, it was clear that his concerto embodied the hero-versus-world aesthetic of nineteenth century Romantic pieces. Yannatos did not provide a program or narrative, but it was difficult not to hear Haimovitz as the protagonist in a story...

Author: By Eric W. Lin, CRIMSON STAFF WRITER | Title: ARTSMONDAY: HRO Show Proves Pleasing | 4/22/2007 | See Source »

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