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...hamming it up for the audience rather than concentrating on valuable musical criticism. One music professor said she felt like she was watching a tape of the Johnny Carson Show. Rostropovich never severed his communication with the audience. Colorful metaphors abounded. At one point in the Haydn D major Concerto, a theme appears twice in the score: once in the low, masculine register of the instrument and then in the bright, upper register. "Why, all of a sudden, does the theme appear in the upper register?" he asked after Gregory Colburn '79 had played the passage. And without waiting...

Author: By Judy Kogan, | Title: From Russia, With Love | 2/25/1976 | See Source »

...Rostropovich, Ma played the first movement of Antonin Dvorak's cello concerto. The composition is a staple in the relatively scant cello repertoire, and as such is probably as familiar to Rostropovich as the Lord's Prayer is to the Pope. Rostropovich, naturally, has thought a great deal about the work, and his suggestions to Ma about performing it, reflected the more than 20 years he has been performing the concerto...

Author: By Judy Kogan, | Title: From Russia, With Love | 2/25/1976 | See Source »

Dvorak: Piano Concerto in G Minor, Op. 33 (Justus Frantz, soloist; New York Philharmonic, Leonard Bernstein, conductor; Columbia; $6.98). Critics frequently poke fun at this stepchild of the late 19th century piano repertory. The orchestral Sturm und Drang, it is said, overpower the naive keyboard design. There is nothing naive about Frantz's virile interpretation, however. The young Polish pianist effortlessly bounces off rippling melodies and roaring cadenzas...

Author: /time Magazine | Title: Music: Classical Records | 2/23/1976 | See Source »

...Part. If Levine is a man in a hurry, he obviously thrives on it. "I never had even a tiny, faint conflict about what I wanted to do, not for as long as I can remember," he says. As a piano prodigy of ten, Levine played the Mendelssohn Piano Concerto No. 2 with the Cincinnati Symphony. When it came time for a reward from his delighted parents, the answer was quick: "I want to go to New York and to the Metropolitan Opera." Later, as a student at the Juilliard School he could usually be found at the opera three...

Author: /time Magazine | Title: Music: The Met's Young Master | 2/23/1976 | See Source »

...Concerto Concert with the Kirkland Festival Orchestra featuring Gerry Moshell, conductor Stephen Drury, piano and Kip Wilkins, oboe. Prokofieff Piano Concerto No. 3, Strauss Oboe Concerto, plus chamber works for harp and tenor by Grandjany and Stravinsky. Kirkland House...

Author: By Judy Kogan, | Title: Music | 2/19/1976 | See Source »

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