Word: concertos
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...Bach Society will be better than the last. The talented new conductor, Hugh Wolff, promises a real symphonic sound in concerts spanning the spectrum of music history. This Saturday the Bach Society presents Harvard's first orchestral concert, featuring Richard Kogan, winner of last year's HRO concerto competition, in Beethoven's 4th. Concert-goers, take heed of this auspicious occasion. Karen Hsiao...
...Bach Society Orchestra, Hugh Wolff, Conductor, plays Debussy: L'apres-midi D'un Faune; Mozart: "Paris" Symphony, K. 297; and Beethoven: Piano Concerto No. 4, in G, Richard Kogan, Piano. Tickets: $1.00 at Holyoke Center and the Door. Saturday...
...first of an inaugural series this season featuring such other eminent organists as Pierre Cochereau, Fernando Germani and Claire Coci. More important, perhaps, the new organ will permit performances of a sizable repertory of neglected works for orchestra and organ-notably the Saint-Saens "Organ" Symphony, the Poulenc Organ Concerto, and the concertos of Handel and Haydn...
...fastest-selling rock albums in the U.S. nowadays is a three-LP set by a British group, Emerson, Lake & Palmer. It includes mod versions of Aaron Copland's Hoedown, a movement from Alberto Ginastera's First Piano Concerto and even Sir Charles Parry's great old Anglican choral song Jerusalem. Also rising on the charts is an LP by a Dutch group called Focus that sounds at times like a combo of English madrigalists. In Detroit this week, English Rock Star Rick Wakeman begins a month-long U.S. tour featuring some unusual sidemen: Classical Conductor David Measham...
Jascha Heifetz: Sibelius: Concerto in D Minor (plus Tchaikovsky: Concerto in D Major) (London Philharmonic Orchestra; Seraphim; $3.98). Heifetz's emotional impact remains undiminished over nearly four decades. His playing is dictated by the mind, not the fingers. Sweeping all technical obstacles out of the way-the double stops, steep runs and three-octave leaps of the Sibelius-he makes sense of it all, minimizing the acrobatics and revealing the music's architecture...