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...Chinese government to the orchestra of its choice-the Philadelphia. Following the lead of the Vienna and London orchestras, which have also toured China, the Philadelphia is not including any works by Russian composers. Ormandy announced last week that it is, however, preparing to play the Yellow River Concerto, a modern Chinese work. The composer is not one man but several, namely "the committee of the composers' union...

Author: /time Magazine | Title: People, Jul. 23, 1973 | 7/23/1973 | See Source »

...virtual unknown three years ago, Levine now ranks with Michael Tilson Thomas, 28, as one of the two hottest young conductors on the American scene. Tackling such wintry fare as Beethoven's Missa Solemnis, or sitting down at the piano to conduct and play Mozart's Piano Concerto No. 12 with a crystalline joy, Levine has given this summer's Ravinia programs new musical depth as well as box office appeal...

Author: /time Magazine | Title: Music: Orpheus in the Gray Shades | 7/23/1973 | See Source »

Cranko has described the work "as a ballet for four friends." Brahms' Second Piano Concerto was chosen as the score, the program notes explain, be cause of the composer's "passionate feeling for friendship and love." In an awkward bit of balletic literalness, Cranko carries out the friendship gim mick by having the four principals periodically link up on stage in studied poses of togetherness. Initials takes flight, however, when the soloists are left to perform the stunning variations that Cranko has devised for them. R., in particular, stands for remarkable, when Cragun almost nonchalantly shows...

Author: /time Magazine | Title: Dance: The Stars of Stuttgart | 6/11/1973 | See Source »

...York Philharmonic Promenades, where she appeared as violin soloist under Maestro André Kostelanetz, one of her concerns seemed to be to limit her smile so as to conceal the braces on her teeth. Despite a few nerve-induced intonation miscues, she played the Mendelssohn Violin Concerto with sweep, dash and daring...

Author: /time Magazine | Title: Music: Prodigies' Progress | 6/4/1973 | See Source »

...career, Dylana Jenson is the happy product of what may be described as benevolent parental interference or, as her father Lee (a freelance writer in Van Nuys, Calif.) calls it, "maverick management." When Dylana (named after the Welsh poet Dylan Thomas) was eight and learning the Mendelssohn concerto, her teacher ruled that she was not ready to master the ricochet technique (bouncing the bow on the strings) required in the work. Her parents decided otherwise. "Dylana knew from listening to records of the concerto what was right and wrong," says her mother Ana, a former schoolteacher who takes care...

Author: /time Magazine | Title: Music: Prodigies' Progress | 6/4/1973 | See Source »

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