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...most part, today's composers ignore the concerto. Some believe that it is an anachronism, a throwback to the 19th century, when the individual performer counted most. Others say that it is too expensive to rehearse 100 or so musicians and hire a top-name soloist to perform a new concerto. Both arguments have some justification. Still, audiences love the familiar old concertos as much as ever. And so do pianists, as these releases make clear...

Author: /time Magazine | Title: Television, Theater, Records, Cinema, Books: Oct. 25, 1968 | 10/25/1968 | See Source »

ALEXIS WEISSENBERG: RACHMANINOFF PI ANO CONCERTO NO. 3 IN D MINOR (RCA Victor); CHOPIN PIANO CONCERTO NO. 1 IN E MINOR, PIANO CONCERTO NO. 2 IN F MINOR, and SMALLER WORKS FOR PIANO AND ORCHESTRA (Angel, 3 LPs). After returning to the U.S. last year from a decade-long self-imposed exile, Weissenberg, now 39, changed his first name from Sigi to Alexis. He obviously had some new musical ideas on his mind too. In the Rachmaninoff, the Bulgarian-born pianist displays a Horowitz-like technique, a poet's heart and vast reserves of power; he throws up wave...

Author: /time Magazine | Title: Television, Theater, Records, Cinema, Books: Oct. 25, 1968 | 10/25/1968 | See Source »

...most recent major work of Russia's foremost composer, Dmitry Shostakovich, is the Violin Concerto No. 2 (1967). Soviet Virtuoso David Oistrakh has already performed it in a few cities in the U.S. and Europe, but most Westerners have not heard...

Author: /time Magazine | Title: Recordings: An End to Grotesquerie | 9/20/1968 | See Source »

Last week the first recording of the concerto was issued on the Melodyia Angel label. The music should prove as much of a surprise to Shostakovich's fans as to his critics. Gone are the characteristic hard-edged rhythms, brittle orchestral sounds and prankish grotesqueries. Instead, the bad boy of Russian music seems to have found a new mood of lyrical quiet and contentment. His artistic debt to Sergei Prokofiev is as clear as ever-embarrassingly so at times-and some of his melodic writing in the first movement is downright dull. But the elegiac sweep of the middle...

Author: /time Magazine | Title: Recordings: An End to Grotesquerie | 9/20/1968 | See Source »

...next night, Maag was back again in Philharmonic Hall repeating his triumph with a program that included Mozart's Piano Concerto No. 26, but was climaxed by Haydn's "Drumroll" Symphony. Key of E-flat...

Author: /time Magazine | Title: Conductors: Aimez-Vous E-Flat? | 9/6/1968 | See Source »

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