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...seen in half a dozen years. In addition he has won respect as a solo clarinetist and chamber musician. Daniel Troob, the excellent continuo-player in Adams's superb production of The Marriage of Figaro, was to team up with him again as the soloist in the Mozart Piano Concerto No. 23. One glance at the back of the program made it abundantly clear that Adams has accomplished a small coup d'etat in gathering so many of the community's best musicians...

Author: By Robert G. Kopelson, | Title: Bach Society Orchestra | 11/20/1967 | See Source »

...biggest disappointment of the evening was the Mozart piano concerto. In the Allegro the lower strings dragged terribly. The orchestra was constantly at odds with the soloist, overpowering him dynamically and struggling to arrive at a mutually conducive tempo...

Author: By Robert G. Kopelson, | Title: Bach Society Orchestra | 11/20/1967 | See Source »

...expanded season, summer "play-ins" for Minnesota high schoolers, more stress on cycles of thematically unified concerts and less on big-name soloists -by far the most significant is the generous sampling of provocative modern works. Already this season he has conducted the American premiere of a 1957 violin concerto by French Composer Serge Nigg, and in the months ahead he will present music by Alban Berg, William Schuman and Charles Ives. "Contemporary music, on the whole, is as good as what was written ] 00 or 200 years ago," he insists...

Author: /time Magazine | Title: Orchestras: Big Five Plus One? | 11/10/1967 | See Source »

...Bagatelles, sandwiched as they were between two chestnuts, could not help but be a musical gourmet's delight. Written in a disjunct, motivic style that borrows almost as much from jazz as from serial technique, they presented problems of cohesion and continuity similar to those of the Dallapiccola 'Cello Concerto performed by the HRO last spring. This time, however, the orchestra succeeded. Rather than struggling frantically through the notes, the players were in sufficient control of the music to interpret it and make it come alive...

Author: By Robert G. Kopelson, | Title: HRO | 11/6/1967 | See Source »

...years, American and European concert halls have experienced something close to a full-scale invasion by talented Korean and Japanese musicians. Last week, Japan's Seiji Ozawa, 32, conducted programs of Rossini and Hindemith in Canada; Korean Violinist Young Uck Kim, 20, performed Saint-Saëns' Concerto No. 3 in Corpus Christi, Texas; and an eight-year-old Japanese cherub named Hitomi Kasuya played part of a Mozart violin concerto in Albuquerque and in South Euclid, Ohio...

Author: /time Magazine | Title: Instrumentalists: Invasion from the Orient | 11/3/1967 | See Source »

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