Word: concertos
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...hall to drive a tractor around in, and the crowd dwindled further at intermission. It wasn't that Conductor Kiril Kondrashin had given a poor concert; it was just that the exuberance of Mehta, his orchestra, and Negro Pianist Andre Watts's performance of a Liszt concerto were a hard act to follow...
Very much like a Beethoven concerto, the song winds up to introduce the solo instrument, which in this case happens to be Ringo's slightly flat voice. Again, the Beatles are putting us on with engaging irony: After a million people have anxiously awaited the new album, spent the price of a steak dinner on it, and have left work early in hot anticipation of hearing it, Ringo sings "What would you do if I sang out of tune/ Would you get up and walk out on me?" However, Ringo's main appeal is for a "little help from...
Orchestrated Piano. Last week at Manhattan's Lincoln Center, as he and the Israel Philharmonic launched the orchestra's 15-city North American tour, Barenboim created a sound-world for Beethoven's Piano Concerto No. 3 that showed how far beyond mere dexterity his technique goes.* Threading themes together, balancing passages against each other, molding the contours of the composition, he displayed a sensitivity and sense of structure that are lacking in many musicians twice his age. "Unless I feel the totality of the thing," he explains, "I can't understand what's going...
...from the piano to the conductor's podium, which now accounts for a quarter of his more than 100 annual bookings. When the Israel Philharmonic went on to Cleveland last week, he led it from the piano in a smoothly flowing performance of Beethoven's Piano Concerto No. 1, then stood up to conduct Beethoven's Symphony No. 7 with crisp authority. Such experience helps him as a pianist, he says, because "piano music is so symphonic. The piano is a neutral-sounding instrument on which you have to orchestrate the other sounds-the oboe, the horn...
PROKOFIEV: CONCERTO NO. 2 IN G MI NOR; SIBELIUS: CONCERTO IN D MINOR (RCA Victor). Itzhak Perlman, the 21-year-old Israeli violinist, has already made an impressive name for himself in the concert circuit. This is his recording debut, and it confirms his growing prestige. He manages to make Prokofiev's percussive, rather frantic concerto sing, and his considerate understanding of Sibelius' darkly sad Romanticism is powerful. Conductor Erich Leinsdorf's Boston Symphony gives Perlman rich support...