Word: concertos
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...advanced beyond listening to music passively, the majority, has not. To this minority, and away from the "dicta" of concert management, Szigeti has turned. Although he wants to slow the pace of his adventures, he performs gladly for colleges, museums, and music groups. He will soon play the Beethoven concerto in Athens, and then serve as a judge at the Tchaikovsky Competition in Moscow...
...through the Bach fugues and preludes, "looking for passages that could be swung." He found them-or made them-and the result was an album titled Play Bach (Decca Disques). It sold briskly. Encouraged, Loussier recorded Play Bach, No. 2 and most recently turned to the Italian Concerto, Chromatic Fantasy and Two-Part Inventions as the inspiration for Play Bach...
...music ("You get to know all the fingerings, the sounds and ranges of the instruments and how they combine"), his longest instrumental work thus far is a 27-minute Concert Piece for Chamber Orchestra, actually a four-movement chamber symphony. Among his other chamber successes: Seven Movements for Septet, Concerto da Camera for Violin and Chamber Ensemble. As interpreted by the Orchestra of America last week, Orchestral Abstractions was jagged in profile, strong in rhythm and color, the solo instruments, particularly the brasses in the last movement, in fascinating juxtaposition with a curtain of translucent strings. The effect suggested flashes...
Ursula K. Oppens '65, playing Beethoven's Piano Concerto No. 5 in E Flat (the "Emperor"), won the concerto contest sponsored by the Pierian Sodality of 1808 in Paine Hall last Friday night. As winner, she will perform the work with the Harvard. Radcliffe Orchestra in the March 9 concert in Sanders Theater. The program will also include Beethoven's Leonore Overture No. 3 and Mendels-sohn's Symphony...
...been linked with any school, but favors Mozart, Beethoven, Brahms, Schubert-German and Austrian composers that he feels he can "go into for 30 or 40 years and never touch bottom." And his style, as he demonstrated again last week when he played Mozart's rarely heard Concerto in B-Flat Major, lies somewhere between Cliburn bravura and Gould introspection. The B-Flat Concerto was ideally suited to Browning's talent. A witty virtuoso piece, it gave him a chance to display his brilliant technique, particularly in a rippling right hand. But there were also the long lyric...