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...like to write a quartet some day," he mused. "But it will be something simple, like Mozart." Even today, when the rich harmonies of A Foggy Day and The Man I Love have become pop classics and jazz standards, the High Gershwin of Porgy and Bess and Concerto in F finds detractors. They began sounding sour notes as early as 1925, when the New York Times critic found the concerto's "instrumentation . . . neither flesh, fowl nor good red herring." Composer Virgil Thomson wrote, "Gershwin does not even know what an opera...

Author: /time Magazine | Title: Books: Up Tunes GERSHWIN | 9/21/1987 | See Source »

...house has served as the site of several international conferences, including a meeting that established the principles later incorporated into the charter of the United Nations. It was also the inspiration for composer Igor Stravinsky's Dumbarton Oaks Concerto...

Author: By David M. Lazarus, | Title: The Sun Seldom Sets On Harvard's Empire | 3/25/1987 | See Source »

...choreographer, Martins has been quietly moving along classical lines. Not for him the currently fashionable crosscutting of ballet with jazz and modern elements. At his best -- in such works as Les Petits Riens, Calcium Light Night, Concerto for Two Solo Pianos, Eight Easy Pieces -- he is an agile craftsman with some surprising moves and a dry, idiosyncratic drollery. At other times he can be boring and even awkward, uneasy in filling the stage and expanding it. Premiering on the same bill as Les Petits Riens was a futile exercise called Ecstatic Orange, set to a bombinating neo-Stravinsky score...

Author: /time Magazine | Title: Dance: Peter Martins' Little Nothings | 2/2/1987 | See Source »

BERG: VIOLIN CONCERTO; THREE ORCHESTRAL PIECES (CBS). Violinist Pinchas Zukerman and Conductor Pierre Boulez in two powerful 20th century landmarks...

Author: /time Magazine | Title: Music: Best of '86: Music | 1/5/1987 | See Source »

...Geller leads off a typical morning lineup with Camille Saint-Saens and Sergei Rachmaninoff back to back, followed by Richard Wagner. He has no knack for pedantry; it is enough to play the music. When a visitor asks the name of a piece, he replies, "That's a piano concerto by Bronsart, who you probably never heard of. I don't know anything about him. A lot of the unknown composers wrote good music. That's why I have the listeners." Actually, Geller has given more than music to Gloucester. He is not Magic 106.7, or Johnny Dark on Quality...

Author: /time Magazine | Title: In Massachusetts: Giving Music | 9/15/1986 | See Source »

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