Word: concertos
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Beethoven: Violin Concerto (Violinist Gidon Kremer, Academy of St. Martin-in-the-Fields, Neville Marriner, conductor; Philips). Chopin: Piano Concerto No. 2 (Pianist Ivo Pogorelich, Chicago Symphony, Claudio Abbado, conductor; Deutsche Grammophon). These concertos, featuring two electrifying performers, are of unusual interest. Pogorelich has technique and temperament in equal measure; right from the piano's cascading entry, this is hot-blooded, Russian-style Chopin, more than a continent removed from the genteel salons of 19th century Paris. The Kremer-Marriner partnership in the Beethoven results in an elegant performance deliberately at odds with the customarily virtuosic way of viewing...
House Comm. co-chair. Bureau of Study Counsel Tutor Award Supervisor Freshman Heavyweight crew Concerto Magazine Senior Editor Dunster Drama Society...
Consider what happens when a modern symphony orchestra and soloist perform a Mozart piano concerto. The string section, often much larger than any Mozart had at his disposal, blasts out its parts on violins and cellos better suited to powerful Strauss tone poems. The wind instruments are louder and more penetrating than classical flutes, oboes and clarinets and more complex in their mechanisms. The piano, a huge concert grand with a booming bass, is worlds removed from its gentler 18th century forerunner. In this welter of sound, inner voices are lost, delicate balances are destroyed. Exciting as the performance might...
...made his Carnegie Hall debut as a full-dress, classical pianist. Joining his friend, Violinist Robert Mann, 62, Cellist Nathaniel Rosen, 36, and the St. Paul Chamber Orchestra under the baton of Conductor-Violinist Pinchas Zukerman, 34, Moore offered a sensitive, well-paced performance of Beethoven's Triple Concerto. And he played it straight, until the very end. Then, just before heading offstage for a congratulatory hug from his longtime squeeze, Susan Anton, 32, he reverted to the depths of British music hall humor. Turning his back to the audience, Moore impishly flipped the tails of his jacket...
...Concerto, which came out in May, also bore a new concept. Calling itself an "inter-disciplinary magazine-to bridge the threatening gulf between the sciences and humanities," Concerto was conceived by Brian A. Lynn '85, a Currier House physics concentrator...