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...January, Richardson and her mother played the roles of mother and daughter in a one-night benefit concert version of "A Little Night Music," the Stephen Sondheim-Hugh Wheeler musical, at Studio 54 in New York...

Author: /time Magazine | Title: Critically Injured Richardson on Flight to U.S. | 3/17/2009 | See Source »

...given CEB’s limited budget. The CEB, however, needs to do more than just polling to redeem itself in the eyes of students after the Girl Talk fiasco. At the Harvard Pep Rally in November, Harvard University Police decided to cut DJ Girl Talk’s concert short when the crowd swarmed a poorly constructed stage. In April, we expect the CEB to do a better job organizing the event, communicating with HUPD, and managing the crowd. One decision we find regrettable is the scheduling of the concert on a Sunday given student work constraints...

Author: By The Crimson Staff | Title: Girl Talk Redux? | 3/16/2009 | See Source »

...worthy candidate? The ritual stipulates that there are three signs that the priest has to look for: abnormal strength, the ability to understand unknown languages and the knowledge of hidden things. But they're very arbitrary, even those things. So they have to be in concert with something else. And typically what priests look for is what they call the aversion to the sacred, which is a person's inability to pray, to say the name of Jesus or Mary, to even look at the priest. Typically, when the person comes to see them, it's the last thing they...

Author: /time Magazine | Title: The Story of a Modern-Day Exorcist | 3/16/2009 | See Source »

...probably the most pathetic music concentrator ever.” It was in his extra-curricular involvement with music that Gilbert found the freedom and flexibility he wanted. Describing the Harvard arts community as “magical” in its enthusiasm, Gilbert fondly recalled concerts that were “self-generated,” off-the-cuff performances organized entirely on the initiative of student musicians. Gilbert spoke of one particularly noteworthy performance in Adams House where, “after the first four notes, the crowd broke into cheers and [the orchestra] had to stop...

Author: By Mark A. Fusunyan, CONTRIBUTING WRITER | Title: SPOTLIGHT: Alan T. Gilbert '09 | 3/12/2009 | See Source »

...sixties—has an organic feel. Oriental rugs cover the stage and spill out into the orchestra seating. Cast members freely interact with the audience, even wandering onstage to perform yoga before the show begins. “Hair”—part rock concert and part Broadway spectacle—is also part Human Be-In. Like the sentiments created by “be-ins,” a phenomenon of the 1960s that revolved around protesting authority, “Hair” manifests the concept of audience interactivity by making the show...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Paulus Attempts to Get In Students' Hair | 3/12/2009 | See Source »

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