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...late Arnold Rothstein backed Waller's first show, Keep Shufflin'. On records Waller began to sing as well as play, and in his expressive mouth the inane words of a popular song often came in for very searching satirical treatment. In 1929, in collaboration with Guitarist Eddie Condon and a small but vital ensemble, he made one of the greatest jazz records of all time: The Minor Drag and Harlem Fuss...

Author: /time Magazine | Title: Music: How Tom Is Doin' | 8/9/1943 | See Source »

Other albums, the Decca Chicago Album, and the Bud Freeman album of the old Wolverine numbers of Bix Beiderbecke, are living proofs of the non-existence of true Chicago style since its decline at the beginning of the thirties. The present-day Chicagoans, Bud Freeman, Jimmy McPartland, Eddie Condon, Pee-wee Russell, Joe Sullivan, George Wettling, and all the rest have stuck together, but their music is not a style...

Author: By L. R., | Title: SWING | 4/28/1943 | See Source »

Gems of Jazz, Volume 5 (Decca; 10 sides). Latest addition to Decca's excellent historical anthology. Selected tidbits of the best small-scale Chicago and New Orleans style playing by such immortals as Jimmie Noone, Zutty Singleton, Eddie Condon, Jimmy McPartland. Notable items: Liberty Inn Drag and Get Happy, by the orchestra of famed Pianist Art Hodes, who has not made a recording since...

Author: /time Magazine | Title: Music: November Records | 11/9/1942 | See Source »

...only to collectors of Solo-Art and Signature records and to explorers of New York jazz spots. With these new releases, Hodes' piano is fortunately within reach of everyone's ear, and definitely worth the listening time of two records. With a rhythm section of Zutty Singleton, drums, Eddie Condon, banjo, and Earl Murphy, bass, the band achieves a colossal beat, especially on "Indiana." On "Georgia Cake Walk" they outdo the Yerba Buena band in the latter's own territory...

Author: NO WRITER ATTRIBUTED | Title: SWING | 10/14/1942 | See Source »

...chosen from 3,000 operatic aspirants recruited through nationwide radio auditions): Nan Merriman, a dimpled, 22-year-old brunette from California, who made her debut disguised in the stage wrinkles of old La Cieca in La Gioconda; Dorothy Ann Short, a 19-year-old University of Washington coed; Max Condon, a six-foot-two tenor; Baritone Mac Morgan, a former Eastman School student...

Author: /time Magazine | Title: Music: Zoo Opera | 7/13/1942 | See Source »

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