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Matt Buchanan's stage direction is interesting, if not particularly inspired. His two-sided, revolving set design is innovative and, in some instances, visually stunning. Unfortunately, the orchestra is placed in front of the stage, causing the tall conductor's head to block some of the action...

Author: By Brian R. Hecht, | Title: Lowell House Bungles Bernstein | 4/19/1991 | See Source »

...been able to play these complaints off each other and position himself in the middle as the conductor of a discordant choir. What he has done that infuriates the left also makes him tolerable to the right, albeit just barely. And vice versa. Remove him from the equation, and the result could be a cataclysmic struggle between forces that are intolerable to each other...

Author: /time Magazine | Title: America Abroad | 3/25/1991 | See Source »

STRAUSS: DER ROSENKAVALIER (London). In this historic 1954 performance of an endlessly ravishing opera, a master conductor (Erich Kleiber), superb singers (Maria Reining, Sena Jurinac and Hilde Gueden) and an outstanding orchestra (the Vienna Philharmonic) blend color, vitality and balance with intelligence and resonant beauty...

Author: /time Magazine | Title: Critics' Voices: Mar. 25, 1991 | 3/25/1991 | See Source »

...Georg Solti, the conductor whose 28 Grammys are the most ever won, was nominated in the category of best orchestral performance...

Author: NO WRITER ATTRIBUTED | Title: Collins Racks Up Grammy Nominations | 1/11/1991 | See Source »

DVORAK: SYMPHONY NO. 9 (Telarc). Could Andre Previn conduct electricity with both feet in a bucket of water? Probably not. Still a fine jazz pianist, Previn remains a resolutely unimaginative conductor whose performances are habitually marked by a dull rhythmic sense and colorless orchestral playing. Here, the Los Angeles Philharmonic sleepwalks through Dvorak's symphonic masterpiece...

Author: /time Magazine | Title: Critics' Voices: Nov. 26, 1990 | 11/26/1990 | See Source »

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