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Welcome to Salzburg, in August the classical-music world's equivalent of Cannes. To be sure, there are no topless starlets, cigar-smoking producers or interminable socialist-realist films from Rumania. Still, the music business has a hype and rhythm all its own. Posters of such performers as Conductor Herbert von Karajan (a native son), Soprano Kathleen Battle, Conductor Riccardo Muti and Violinist Anne-Sophie Mutter are plastered in shop windows. Managers from the U.S. and Europe gather to plot the careers of performers and ensembles. Diners at the swank Goldener Hirsch restaurant near the Festspielhaus burst into applause whenever...

Author: /time Magazine | Title: Music: Mozart, Moses and Money | 8/31/1987 | See Source »

...some 30 years, Salzburg's fortunes have been in the hands of the formidable Karajan, the dominant conductor of the postwar generation. Now 79, he is debilitated by a series of illnesses and must clutch a special railing as he makes his way to the podium. Those looking for clues to music's most hotly debated question -- Karajan's eventual successor at the Berlin Philharmonic -- find Salzburg an ideal place to begin speculation...

Author: /time Magazine | Title: Music: Mozart, Moses and Money | 8/31/1987 | See Source »

...couple of years ago, Karajan told an interviewer that he favored either the autumnal Italian conductor Carlo Maria Giulini, 73, former music director of the Los Angeles Philharmonic, or the vital young Soviet emigre Semyon Bychkov, 34, recently named conductor of the Orchestre de Paris beginning...

Author: /time Magazine | Title: Music: Mozart, Moses and Money | 8/31/1987 | See Source »

...involvement in classical music's homosexual subculture. Bernstein's predilections have never been secret in the | gossipy music world. But those who were surprised at the disclosure that Rock Hudson was gay will no doubt be shocked by Peyser's identification of Bernstein, Composer Aaron Copland, the late Conductor Dimitri Mitropoulos and others as homosexuals...

Author: /time Magazine | Title: Music: Portrait of The Artist, with Smudges | 5/18/1987 | See Source »

...sometimes rambling narrative indulges in an uncomfortable amount of kitchen psychoanalysis ("The only thing that can explain this man, with his chain smoking, pills, liquor, insomnia, and need for crowds, is incredible pain") in arguing that Bernstein's background has forged the schizoid musician, from slick tunesmith to leonine conductor, that he has become. In Peyser's view -- formed with the partial cooperation of Bernstein, who gave her permission to use some personal letters -- the works of the artist cannot be understood without taking into account the character...

Author: /time Magazine | Title: Music: Portrait of The Artist, with Smudges | 5/18/1987 | See Source »

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