Word: conductor
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...obsolete for more than a century. Its notation, in which triangles, circles and squares indicate pitch, looks like cuneiform. Yet it exudes power and integrity. Five people sound like a choir; a dozen like a hundred. It is one of the most democratic choral forms: no audience, no permanent conductor--just people addressing one another...
...principal guest conductor at New York's Metropolitan Opera House for the past decade, maestro Valery Gergiev of the Kirov Opera, part of the Mariinsky Theater in St. Petersburg, has developed a group of admirers worldwide for the epic Russian operas he has resurrected. Gergiev was scheduled to take the stage at the Met this past Christmas, but then Beijing called. The Chinese wanted him to conduct the opening opera in their country's highest palace of performance, the $40 million National Center for the Performing Arts, which is often referred to by its former name, the National Grand Theater...
...principal guest conductor at the Metropolitan Opera House for the past decade, Maestro Valery Gergiev of the Kirov Opera has developed a global group of admirers for the epic Russian operas he has resurrected. Indeed, Gergiev was scheduled to take the stage at the Met this Christmas, but then Beijing called. They wanted him to open the first performance season of China's highest palace of performance, the $40 million National Grand Theater, better known in Beijing by its shape, as the "egg." The building, designed by the French architect Paul Andreu, is a gleaming dome with a subtle ying...
...Sanders Theatre performance also featured several vocalists of the Harvard University Choir (UChoir) under the baton of Music Director Aram V. Demirjian ’08 and guest conductor Edward E. Jones. The combination of BachSoc, Elkies, and the University Choir made for a memorable and enjoyable evening...
...then came the main event. Antonin Dvorak’s “Cello Concerto in B minor,” featuring Koh’s solo performance, was undoubtedly the highlight of the evening. Truly a vessel for the music, Koh moved with the orchestra and with the conductor, his closed eyes suggesting deep emotion and intense concentration etched across his face. Koh moved his arms with fluidity and athletic agility, his fingers nimbly scaling up and down the fingerboard of his cello to produce a rich, deep, and confident sound that swirled upward to the top of Sanders...