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...break came in 1972, when she took time from teaching to audition for the late Thomas Schippers, then conductor of the Cincinnati Symphony; he was looking for a soprano to sing Brahms' Ein Deutsches Requiem at the Festival of Two Worlds in Spoleto, Italy. Battle got the job and her career snowballed. In 1976 she made her New York City Opera debut as Susanna. The following year, under Levine's aegis, she also bowed at the Met, in the small part of the Shepherd in Wagner's Tannhauser. By 1980 she was effortlessly hitting the high E's as Blonde...

Author: /time Magazine | Title: Music: At the Head of the Class | 11/11/1985 | See Source »

...Folks, this is Pearl," boomed the familiar voice after Amtrak's Chicago-to-New York train collided last week in the middle of the night with a stalled truck and derailed near Mansfield, Ohio. The unofficial conductor was Pearl Bailey, 67, traveling to Manhattan to chair the opening of the 1985 Christmas Seal ceremonies. Talking through a loudspeaker, the veteran singer soothed jangled nerves among the 425 passengers. After two more days of traveling, Bailey hit a traffic jam outside New York City. Christmas Seal officials who had spotted Dolly Parton, 39, having lunch asked her to stand...

Author: /time Magazine | Title: People: Sep. 9, 1985 | 9/9/1985 | See Source »

...Francisco production proved well worth waiting for. Indeed, blessed with a first-rate cast, a skilled if not always inspired conductor, and a director with strong dramatic ideas about the piece, it must rank as one of the best stagings in recent memory. Objections may be raised about some of Director Nikolaus Lehnhoff's departures from Wagnerian canon in an otherwise traditionalist view of the work. But there can be no disputing the high quality of the vocalism. Since 1976, there has been a director's Ring (Patrice Chereau's Wagner-as-social-revolution) and a conductor's Ring...

Author: /time Magazine | Title: Music: At Last, a Singer's Ring | 7/1/1985 | See Source »

...Soprano Hanna Schwarz in Das Rheingold. A delightful bonus was the Walkure Fricka and Gotterdammerung Waltraute of Vienna-born Mezzo Helga Dernesch, who some years ago was an important Isolde and Brunnhilde. Combining her still considerable power with a riveting dramatic presence, Dernesch gave a lesson in Wagnerian artistry. Conductor Edo de Waart was too often cautious when he should have been impetuous, but he roused himself in Gotterdammerung to deliver a reading of surge and sweep...

Author: /time Magazine | Title: Music: At Last, a Singer's Ring | 7/1/1985 | See Source »

George Crumb: A Haunted Landscape; William Schuman: Three Colloquies for Horn and Orchestra. (New York Philharmonic, Arthur Weisberg, conductor (of the Crumb); Zubin Mehta, conductor (Schuman), with Philip Myers, horn; New World Records.) Blessed with one of the most remarkable ears for sonority of any modern composer, Crumb has long had a fascination with the otherworldly. In such works as Songs, Drones and Refrains of Death, the two piano suites of Makrokosmos and the string quartet Black Angels, he combines a distinctive, flamboyant sense of instrumental color with a darkling imagination that results in some chillingly effective music. A Haunted...

Author: /time Magazine | Title: Music: Tunes From the Darker Side | 6/24/1985 | See Source »

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