Word: conductor
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...Mehta move was the grandest, most publicized stroke of all: his appointment as music director of the New York Philharmonic to succeed avant-garde composer and conductor Pierre Boulez. Not everyone in New York was delighted. Boulez had been a cool, ascetic leader. Mehta, by comparison, had a reputation for more gloss than substance. There was the question of his repertoire, which stressed Tchaikovsky and Strauss to the detriment of the early classics. Finally there was his famous contretemps with the Philharmonic. In 1967 he enraged the New Yorkers by reportedly declaring that his own Los Angeles Philharmonic was better...
Mehta has yet to conduct a subscription concert-the first will be next week-and he is proceeding cautiously in his new town. But his celebrated gaffe, at least, is "practically forgotten, from the time I was a guest conductor in 1974," says Mehta. "That was when I went on the stage and apologized." He is now very glad to be in New York. "New York is the center of the musical world, and I felt that I should move there now rather than at age 55 or so," he says...
...years, Giulini has refused musical directorships of orchestras because of his intense dislike for the attendant administrative and social duties. In America, he has been known primarily for his 23 years as a guest conductor with the Chicago Symphony. Los Angeles won him by offering freedom from paper work, a lighter-than-usual five-month load, and a blank check. A tall, slim, aristocratic man, Giulini is the rare maestro who is truly loved by his musicians. They may grumble about his perfectionism or his occasionally erratic tempi. But, says Victor Aitay, Chicago's co-concertmaster, "he approaches music...
...easy for De Waart. Ozawa is a spellbinder and a colorist. De Waart, who will continue with the Rotterdam Philharmonic another year, is a solid, serious musician. He programs lots of the classics, Mozart and Haydn, but also likes such modernists as Berg and Bartok. "None of the young conductors has a wide repertory, but De Waart is anxious to learn and that separates him from the rest," says Milton Salkind, president of the San Francisco Conservatory of Music. De Waart is not worried: "Herbert von Karajan once said it takes ten years to be a conductor and another...
...wasted no time planning several festivals, an international tour and a batch of recordings. "Detroit had not traveled much and had made no recordings in well over a decade," says the maestro. "I am the archenemy of that kind of routine." Dorati is an old-school, tremendously versatile conductor whose artistic innovations are matched by his administrative skill. "Mr. Dorati could even run General Motors," says President Robert Semple. That is the ultimate Detroit accolade...