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Almost everyone is involved in the controversy--Dean Epps, Conductor Yannatos, most Harvard-Radcliffe Orchestra members--agrees that a 100 per cent Harvard Orchestra would be ideal. Almost no one agrees, however, on how best to attain that goal, or even on whether it can ever be attained...

Author: By Fred Hiatt, | Title: Quotas, HRO Style | 10/23/1976 | See Source »

James D. Yannatos, conductor of the orchestra, said that Epps' involvement was an "encroachment" and that setting a "binding" percentage would never work...

Author: By Fred Hiatt, | Title: Quotas, HRO Style | 10/23/1976 | See Source »

...conductor, James D. Yannatos, reacted angrily to the proposal last night, at first saying, "I think I'd quit and look for a new job." Yannatos subsequently retracted his statement, but continued to maintain that Epps's proposal would represent "an intolerable intrusion on my academic freedom...

Author: By Frederick Hiatt, | Title: Epps Wants Limit On HRO Outsiders | 10/22/1976 | See Source »

...conductor of the orchestra, James D. Yannatos, defends his policy by claiming that there just aren't enough competent musicians at Harvard to fill an orchestra--or rather, to fill two orchestras, since Yannatos is nervously aware of competition from the Bach Society...

Author: NO WRITER ATTRIBUTED | Title: HRO Ringers | 10/22/1976 | See Source »

...from Harvard's niggardly refusal to support an arts program. Stellar high school musicians choose schools like Yale, where they can receive music lessons and other support; with no solid arts program, Harvard finds it more difficult to recruit good players. In addition, because HRO must support itself, its conductor is less likely to gamble on inexperienced players. For its continuing and unreasonable refusal to support the arts, therefore, Harvard must accept much of the blame for HRO's dilemma...

Author: NO WRITER ATTRIBUTED | Title: HRO Ringers | 10/22/1976 | See Source »

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