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...successor, Goren Gentele, came from the state-subsidized Royal Opera House in Stockholm. Gentele was killed in a car crash only 18 days after he took over. His most tangible legacy was the appointment of the first music director in the Met's 90-year history, Czech-born Conductor Rafael Kubelik. It is an indication of the deep trouble at the Met these days that Kubelik resigned under pressure last week after only six months in one of the most powerful posts in opera...

Author: /time Magazine | Title: Music: Wanted: Full-Time Help | 2/25/1974 | See Source »

When the Philadelphia Orchestra finished playing The Yellow River Concerto in Peking last September, Conductor Eugene Ormandy signaled for the composer to share the bows. Out came two men and two women. To a Westerner listening to the work, the four might just as well have been Tchaikovsky, Rachmaninoff, Cécile Chaminade and Joan Baez. Actually, they were a committee from the Central Philharmonic Society of the People's Republic of China, perhaps the country's foremost composer. The event was the highlight of the Philadelphia's tour of China, the first such by an American...

Author: /time Magazine | Title: Music: Chinese Schmalz | 2/18/1974 | See Source »

...time, trouble and expense of mounting the opera for the first time in its 90-year history? Fair questions, which were not entirely answered by the premiere performance at Lincoln Center last week. Yet the Met's brief for Vespri contains any number of good points. Conductor James Levine and Stage Director John Dexter eliminated a half-hour's worth of ballet (wisely, considering the Met's declivity for dance) and edited the work down to three acts, running a relatively tidy 3½ hours. Then there were the principal singers: Sopra no Montserrat Caballe, Tenor Nicolai...

Author: /time Magazine | Title: Music: Call to Vespers | 2/11/1974 | See Source »

...Isolde pleading illness. Nilsson was busy elsewhere. Then Tenor Jon Vickers, who seems to tremble before Wagner but may just possibly be the Tristan everyone at the Met (including Nilsson) has been waiting for, begged out of his first two performances-he wanted more time. Not to be outdone, Conductor Erich Leinsdorf threatened to resign, complaining that he could not get decisions from the besieged opera house, but then relented and stayed...

Author: /time Magazine | Title: Music: Tristan and Cinderella | 1/28/1974 | See Source »

Last year Lichtenstein hired Composer-Conductor Lukas Foss as director of the Academy's orchestra, the Brooklyn Philharmonia. Jazz, blues and gospel are heard throughout the year in the Black People's Music program, highlighted each fall by a festival of performing groups from Africa and Asia...

Author: /time Magazine | Title: Show Business: Rebirth in Brooklyn | 1/14/1974 | See Source »

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