Search Details

Word: conductor (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Utah, from Corvallis, Ore., to Washington, D.C. Prior to its visit to the U.S., the Royal Philharmonic will have presented four gala TIME-LIFE concerts at Festival Hall in London. Rudolf Kempe is the conductor, assisted by Lawrence Foster. The tour is under the management of Impresario Kazuko Hillyer...

Author: /time Magazine | Title: An Anniversary Letter: An Anniversary Letter, Oct. 2, 1972 | 10/2/1972 | See Source »

...energy and unique approach." Georg Solti? "Fantastic dynamics. I seldom go to concerts, but you could not pay me to stay away when Solti comes to New York with the Chicago Symphony." More often, Goodman is a flinty patriarch who seems to live by his own view that the conductor is seen, but the timpanist is heard. Mengelberg? "Very quirky and picky. He would rearrange the orchestra when he guest-conducted and put the percussion all the way in front, and then complain that the brasses were too loud." Dimitri Mitropoulos? "He did some very exciting things...

Author: /time Magazine | Title: Music: Ruffs and Drags | 9/18/1972 | See Source »

When the retirement of Timpanist Saul Goodman was announced by the New York Philharmonic, Conductor Pierre Boulez gave him a watch. That was like giving Soprano Birgit Nilsson a pitch pipe. As head of the Philharmonic's percussion section, Goodman has been keeping time for the orchestra for 46 years. His rolls, ruffs and drags were as familiar and indispensable to Mengelberg and Toscanini in their day as to Bernstein and Boulez in theirs. Goodman's departure this week will terminate one of the longest tenures in the history of American symphonic life. As Philharmonic Snare Drummer "Buster...

Author: /time Magazine | Title: Music: Ruffs and Drags | 9/18/1972 | See Source »

...caused the music world's most con brio feud of the decade. Engaging in a bit of pre-publication drumbeating last spring, Libman disclosed that her book would challenge the familiar portrait of Stravinsky in his later years-a portrait produced by his literary collaborations with his co-conductor, aide and surrogate son Robert Craft (TIME, June...

Author: /time Magazine | Title: Music: The Master's Voice | 9/18/1972 | See Source »

...Stravinsky menage, she knew the composer. For one thing, he was more sparing with words, less waspish as a polemicist. For another, the lady maintains, many of the words were not the composer's at all; they were Craft's. As she sees it, Composer-Conductor Pierre Boulez was correct when he accused Craft of "a great falsification of the image of Stravinsky...

Author: /time Magazine | Title: Music: The Master's Voice | 9/18/1972 | See Source »

Previous | 305 | 306 | 307 | 308 | 309 | 310 | 311 | 312 | 313 | 314 | 315 | 316 | 317 | 318 | 319 | 320 | 321 | 322 | 323 | 324 | 325 | Next